"Suite No. 1 for Cello & Guitar: II. Histèrico" by Raffaele Bellafronte, Duo Escualo had its release date on January 16, 2026. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 10 in Fuga dal tempo by Duo Escualo. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Suite No. 1 for Cello & Guitar: II. Histèrico is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite No. 1 for Cello & Guitar: II. Histèrico by Raffaele Bellafronte, Duo Escualo is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sketchbook, Op. 2: Oh, that we two were maying (arr. J. Lloyd Webber for 2 cellos and piano) | Ethelbert Nevin, Julian Lloyd Webber, Jiaxin Lloyd Webber, John Lenehan | G Major | 1 | 9B | 83 BPM | ||
| Bottesini: Gran Concerto for Double Bass in F-Sharp Minor: II. Andante | Giovanni Bottesini, Wies de Boevé, Joshua Weilerstein, Brussels Philharmonic | D Major | 1 | 10B | 98 BPM | ||
| Ysaÿe: Rêve d’enfant, Op. 14 | Eugène Ysaÿe, Renaud Capuçon | B♭ Minor | 1 | 3A | 67 BPM | ||
| Les guitares bien tempérées, Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor (the Well-Tempered Guitars) | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 139 BPM | ||
| An Malvina | Takuya Okamoto | D Major | 1 | 10B | 95 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E Minor | 1 | 9A | 75 BPM | ||
| Pièces de clavecin, Suite in E, RCT 2: La Villageoise. Rondeau | Jean-Philippe Rameau, Constance Luzzati | G Minor | 1 | 6A | 82 BPM | ||
| Flute Concerto Pour Potsdam in D Major, QV 5:41(Reinvented for Solo Flute by Luca Astolfoni Fossi): III. Presto | Johann Joachim Quantz, Claudio Ferrarini | E Minor | 1 | 9A | 75 BPM | ||
| 12 Preludes: I. Preludio I | Raffaele Bellafronte, Alessandro Deljavan | G Major | 4 | 9B | 161 BPM | ||
| Violin Sonata in A Major, M. 8: I. Allegretto ben moderato (Arr. J. Delsart for cello and piano) | César Franck, Harriet Krijgh, Kamilla Isanbaeva | A Major | 1 | 11B | 54 BPM | ||
| Vivaldi: Cello Sonata No. 1 in B-Flat Major, Op. 14, RV 47: I. Largo | Antonio Vivaldi, Paul Tortelier, Robert Veyron-Lacroix | B♭ Major | 1 | 6B | 102 BPM | ||
| Brandenburg Concerto No.4b in G - Remastered | Johann Sebastian Bach, Producer 9-0 | D♭ Minor | 4 | 12A | 117 BPM | ||
| Romance del los Pinos | Federico Moreno Torroba, Hannah Murphy | E Major | 1 | 12B | 167 BPM | ||
| Bartók: Romanian Folk Dances, Sz. 56: No. 4, Horn Dance (Transcr. Strauss & Rizikov for Cello and Piano) | Béla Bartók, Lisa Strauss, Anastasia Rizikov | F Major | 0 | 7B | 97 BPM | ||
| For Five…: II. Appassionato | Raffaele Bellafronte, Quartetto Guadagnini, Davide Di Ienno | E♭ Major | 2 | 5B | 123 BPM | ||
| 6 Romances, Op. 28 TH 99: No. 3, Why? (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Suite No. 1: III. Romantico - For Saxophone and Guitar | Raffaele Bellafronte, Histérico Duo, Michele Paolino, Davide Di Ienno | D Minor | 0 | 7A | 170 BPM | ||
| Concerto No. 2 for Cello & String Orchestra "Klatbutne / Presence": I. Cadenza | Pēteris Vasks, LGT Young Soloists, Caterina Isaia, Alexander Gilman | E Minor | 0 | 9A | 96 BPM | ||
| Sonate, Op. 61: I. allegro | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 73 BPM | ||
| Adio Querida | Flavio Cucchi | A Minor | 2 | 8A | 131 BPM | ||
| Sonata, Op. 61: III. Allegro Vivo | Joaquín Turina, Shiri Coneh | G Minor | 2 | 6A | 114 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Quatre Bagatelles en forme de Suite Cosmique: I. Le depart | Marco Smaili, Gerard Cousins | E Minor | 1 | 9A | 75 BPM | ||
| Cello Solenne | C.Casadei M.Santostefano, Claudio Casadei, Massimo Santostefano, Fortibus Ensemble | G Major | 1 | 9B | 122 BPM | ||
| Sulle scale per terze | Maurizio Baudino | A Minor | 1 | 8A | 80 BPM |