Robert Parsons, Fretwork's 'Ut re mi fa sol la à 4' had a release date set for March 1, 2011. This song is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Fretwork's "In Nomine Sixteenth Century Music for Viols" album is number 16 out of 21. In terms of popularity, Ut re mi fa sol la à 4 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ut re mi fa sol la à 4 by Robert Parsons, Fretwork to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| O Heiland, reiß die Himmel auf, Op. 74, No. 2 | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | B Major | 1 | 1B | 57 BPM | ||
| Messe de Requiem, Introitus: No. 2, Te decet hymnus Deus | André Campra, Sébastien Daucé, Ensemble Correspondances | E♭ Major | 2 | 5B | 93 BPM | ||
| Ave cujus conceptio | Nicholas Ludford, Blue Heron, Scott Metcalfe | G Minor | 2 | 6A | 86 BPM | ||
| Mass for 4 Voices: III. Sanctus | Thomas Tallis, The Hilliard Ensemble | E Minor | 2 | 9A | 69 BPM | ||
| O lucidissima | Hildegard von Bingen, Laurie Monahan, Tapestry | F Major | 2 | 7B | 94 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Stabat Mater pour dix voix et basse continue: V. Sancta Mater, istud agas | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A Major | 0 | 11B | 80 BPM | ||
| Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
| Nolo mortem peccatoris | Thomas Morley, Stile Antico | F Minor | 1 | 4A | 79 BPM | ||
| Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
| Pour down, you pow'rs divine | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 1 | 1A | 106 BPM | ||
| Saltarello detto Trivella | Orazio Vecchi, Paul O'Dette, The King's Noyse, David Douglass | D Minor | 0 | 7A | 63 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Nuper rosarum flores | Guillaume Dufay, Pomerium, Alexander Blachly | D Minor | 1 | 7A | 71 BPM | ||
| Recercada Ruggero | Diego Ortiz, Capella De La Torre, Katharina Bauml | C Major | 2 | 8B | 175 BPM | ||
| Lacrimosa son io, D. 131b | Franz Schubert, Ensemble Pygmalion, Bernarda Fink, Raphael Pichon | F Major | 1 | 7B | 131 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
| Deus, qui beatum Marcum a 10, C. 36 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Oltremontano, Wim Becu | A♭ Minor | 2 | 1A | 78 BPM | ||
| O pulcherrima mulierum a 5 | Jacques Arcadelt, Chœur De Chambre De Namur, Leonardo García-Alarcón, Adrià Gracia | B♭ Minor | 1 | 3A | 81 BPM | ||
| Christ lag in Todesbanden, SSWV 22 | Samuel Scheidt, Vox Luminis, Lionel Meunier, Bart Jacobs | D Minor | 1 | 7A | 137 BPM | ||
| Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | ||
| Harp Consort No. 9 in D Major: Pavin on a them by Cormacke | William Lawes, Robin Pharo, Ensemble Près de votre oreille | A♭ Minor | 2 | 1A | 135 BPM | ||
| Finale | Tallis Chamber Choir, Edinburgh Renaissance Band, The | E Major | 2 | 12B | 77 BPM | ||
| In manus tuas: In manus tuas | Thomas Tallis, Stile Antico | G Minor | 0 | 6A | 136 BPM |