"Piqué Turns: Polka" by Michael Cherry had its release date on November 24, 2023. With This song being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michael Cherry's "Music for Ballet Class: Womens' Pointe Work" album is number 26 out of 28. On top of that, United States appears to be the country where this track was created. Piqué Turns: Polka is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Piqué Turns: Polka by Michael Cherry to be Larghetto (rather broadly) because the track has a tempo of 66 BPM, a half-time of 33BPM, and a double-time of 132 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ronds de Jambe À Térre - Port de bras | 지하영 | A♭ Major | 3 | 4B | 122 BPM | ||
| Tendu 1st (Cruella De Vil) | Ian Howells Music | D Minor | 1 | 7A | 124 BPM | ||
| 14 Center practice 2 | Dan Turcanu | E Minor | 2 | 9A | 92 BPM | ||
| Rond de jambe a terre- Scilienne op. 78 | Ballet pianist Mia | B Major | 1 | 1B | 69 BPM | ||
| Barre. Demi-pliés | Igor Ivanov | G Major | 0 | 9B | 69 BPM | ||
| Carmen, Act I: No. 5, Habanera (Fondu) | Nina Pinzarrone | D Major | 1 | 10B | 87 BPM | ||
| Ronds de Jambe par Terre & Port de Bras 4/4 8×4+16 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| Galop (Tournament Gallop) | Michael Cherry | E♭ Major | 3 | 5B | 132 BPM | ||
| Rond de Jambe à Terre Roudnev, Vol. 3 | Marina Stolyar, Dmitri Roudnev | G Major | 2 | 9B | 121 BPM | ||
| Africa (Rondes De Jambe) | Joey McNamara | E Major | 2 | 12B | 115 BPM | ||
| Battements fondus (Y. S. Choi Op.1 No.2) | Youngsin Sarah Choi | C Major | 0 | 8B | 135 BPM | ||
| Battement Tendu. Moderate 3/4, 128 Measures, 16-8's | Finis Jhung & Bill Brown | D Major | 1 | 10B | 122 BPM | ||
| Petit Allegro 2/4: Honey Rag | Margot Kazimirska | C Major | 4 | 8B | 179 BPM | ||
| Stretch a La Barre: Lakme 6/8 | Michael Cherry | D♭ Major | 2 | 3B | 110 BPM | ||
| Grand Battement: March Lucia di Lammermoor 4/4 | Gaetano Donizetti, Michael Cherry | G Major | 1 | 9B | 105 BPM | ||
| Speak Low - Fondu | Peter James | E♭ Major | 2 | 5B | 163 BPM | ||
| バイデン マイタイム (Tendu3) | Miwa Hoshi | E♭ Major | 2 | 5B | 135 BPM | ||
| Battements Jetes 4/4 8×4 | Galina Bezuglaya | E Major | 0 | 12B | 63 BPM | ||
| Battement Tendu - Washington Square | B. Goldsteinn, Ballet pianist Mia | D Major | 5 | 10B | 138 BPM | ||
| Floor Work: Hungry Crocodiles | Nolwenn Collet | F Major | 3 | 7B | 162 BPM | ||
| Slow Tendu | Sky Tan | B♭ Major | 1 | 6B | 84 BPM | ||
| Rond De Jambe: Breakaway | Ian Howells Music | C Major | 0 | 8B | 127 BPM | ||
| Battements tendus jetés I (V. Youmans "Tea for Two") | Youngsin Sarah Choi | D Major | 1 | 10B | 90 BPM | ||
| Frappé | Igor Zapravdin | A Major | 3 | 11B | 118 BPM | ||
| Pliés | 최선경 | G Major | 2 | 9B | 112 BPM |