Codes In The Clouds, Paul Mullen's 'Don't Go Awash in This Digital Landscape / Yourcodenameis:milo' had a release date set for October 18, 2010. The duration of This song is about 3 minutes long, at 3:12. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Paper Canyon Recycled". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Don't Go Awash in This Digital Landscape / Yourcodenameis:milo's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don't Go Awash in This Digital Landscape / Yourcodenameis:milo by Codes In The Clouds, Paul Mullen having a BPM of 147 with a half-time of 74 BPM and a double-time of 294 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| They Speak With Knives | If These Trees Could Talk | C Major | 7 | 8B | 105 BPM | ||
| Me - Analogue Dear Rework | Nils Frahm, Analogue Dear | G Major | 2 | 9B | 136 BPM | ||
| Boy 1904 | Jónsi, Alex Somers | G Major | 2 | 9B | 123 BPM | ||
| They Disappear into the Palms | LIGHTS OUT ASIA | D Minor | 5 | 7A | 131 BPM | ||
| On the Long Road Home | The End Of The Ocean | C Major | 6 | 8B | 154 BPM | ||
| We Were Never Here | Epic45 | A♭ Major | 4 | 4B | 122 BPM | ||
| The Trip | Codes In The Clouds | F♯ Major | 3 | 2B | 74 BPM | ||
| Uriel | Joy Wants Eternity | F♯ Minor | 6 | 11A | 133 BPM | ||
| The Undertow | 65daysofstatic | G Major | 6 | 9B | 140 BPM | ||
| Goodnight , so Long | Saxon Shore | A♭ Major | 1 | 4B | 103 BPM | ||
| The World Is Our ___ | This Will Destroy You | D♭ Major | 6 | 3B | 116 BPM | ||
| Carry With Us | Helios | B Major | 2 | 1B | 99 BPM | ||
| Saving Words For Making Sense | The Six Parts Seven | G Major | 2 | 9B | 95 BPM | ||
| Shores | Heron | E Major | 5 | 12B | 126 BPM | ||
| Above The Clouds Lies Eternal Sun | Joy Wants Eternity | D Major | 7 | 10B | 127 BPM | ||
| South Tree | Helios | E♭ Minor | 2 | 2A | 93 BPM | ||
| We Were Alive, Together (First Position) | Codes In The Clouds | D♭ Major | 2 | 3B | 69 BPM | ||
| Losing You to You | Hammock | B Major | 3 | 1B | 116 BPM | ||
| The Golden Light Swelled Somber in the East | Aural Method | E Major | 2 | 12B | 112 BPM | ||
| First to Wake | Random Forest | F♯ Major | 0 | 2B | 98 BPM | ||
| You Are My Best Friend | The Best Pessimist | A♭ Major | 5 | 4B | 176 BPM | ||
| Haldern, Early Hours - Piano Rework | Codes In The Clouds | E Major | 1 | 12B | 118 BPM | ||
| The Longest Journey | Walls of Ashes | E Major | 9 | 12B | 100 BPM | ||
| The Vessel | We Lost The Sea | B♭ Minor | 1 | 3A | 140 BPM | ||
| The Great Leap | U137 | C Major | 5 | 8B | 120 BPM |