"Nocturne No. 2" by Mathieu Cé had its release date on June 9, 2016. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Night Music, Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Nocturne No. 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne No. 2 by Mathieu Cé having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Between Bells | Night Monastery | E♭ Minor | 0 | 2A | 131 BPM | ||
| Ecstasy (10-Minute Meditation) | The Wong Janice | A Major | 0 | 11B | 64 BPM | ||
| Temple Ruins | Timo Jagersberger, Frank Schlick | F Major | 1 | 7B | 135 BPM | ||
| Ma mère l'Oye, M. 60: II. Petit Poucet (For Bass Flute) | Daniela Mars, Mathieu Cé | C Minor | 0 | 5A | 70 BPM | ||
| On the Nature of the Daylight | Max Richter, Trio Fibonacci | D Minor | 0 | 7A | 121 BPM | ||
| Gnossienne No. 1 | Buck McDaniel, Carrie Frey, Sonia Bize | E♭ Minor | 0 | 2A | 131 BPM | ||
| String Quartet No. 2, Op. 147: VII. Hymn | Alan Hovhaness, Shanghai Quartet | C Major | 0 | 8B | 95 BPM | ||
| Cinema Piano | Lars Hustoft, Peter's Piano | E♭ Minor | 0 | 2A | 131 BPM | ||
| Sonata No. 1 in C Major (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI): VI. Variation V | Saverio Mercadante, Claudio Ferrarini | E♭ Minor | 0 | 2A | 131 BPM | ||
| Into Dusk | Horizon Reverie | C Major | 0 | 8B | 73 BPM | ||
| Trace - Live | Tom Gimson, Peter Ashwell | A Minor | 0 | 8A | 68 BPM | ||
| Part VII: Haunting Echoes | Claude Pendereich | D Minor | 2 | 7A | 91 BPM | ||
| Dangle Your Legs Over the Running Water | Lauri Porra, Mumintrollen | F Major | 1 | 7B | 78 BPM | ||
| Mibuno Vale | Blades Without Sound | E♭ Minor | 0 | 2A | 131 BPM | ||
| After You | O.Derakhshan | D Minor | 0 | 7A | 120 BPM | ||
| Midday Tumble | Whispurr | G Major | 1 | 9B | 84 BPM | ||
| Première leçon de ténèbres à une voix: He (Arr. for Cello and Synthesizer by Sonia Wieder-Atherton) | François Couperin, Sonia Wieder-Atherton, Marius Atherton | E♭ Minor | 0 | 2A | 131 BPM | ||
| Relaxing Slumber To 528 Hz | Aman Glory, Iguata, B-Tribe | D♭ Major | 0 | 3B | 79 BPM | ||
| Somber Reflections | Hariseno, Vembriona | A♭ Major | 0 | 4B | 68 BPM | ||
| Humidity | Stan Le Prevost | C Major | 7 | 8B | 79 BPM | ||
| La Mi Re | Thomas Preston, David Orlowsky, David Bergmüller | F Minor | 0 | 4A | 173 BPM | ||
| Somebody's Leg Man | Sarah Neutkens, Nederlands Saxofoon Octet | C Minor | 1 | 5A | 116 BPM | ||
| Breathe Easy | Rylandiaa | F Minor | 7 | 4A | 147 BPM | ||
| Dietro l'incanto | Floraleda Sacchi, Ludovico Einaudi | A Minor | 1 | 8A | 110 BPM | ||
| Niñerías, Op. 56: VI. Conchita rêve (Transcr. Huws for Harp) | Joaquín Turina, Alis Huws | D Major | 0 | 10B | 62 BPM |