- BPM
- 70
- Key
- D Minor
- Camelot
- 7A
Shylock, Op. 57: I. Chanson by Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis Song Details
"Shylock, Op. 57: I. Chanson" by Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis had its release date on March 10, 1998. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 21 in FAURE: Orchestral Music by Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Shylock, Op. 57: I. Chanson is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Shylock, Op. 57: I. Chanson by Gabriel Fauré, Lynda Russell, RTE Sinfonietta, John Georgiadis is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Music Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -28.785 dB
- Acousticness
- 96%
- Danceability
- 14%
- Energy
- 1%
- Instrumentalness
- 87%
- Liveness
- 8%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 3%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10 | Johannes Brahms, Ferruccio Busoni, Igor Levit | A Minor | 0 | 8A | 84 BPM | |
 | Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | |
 | Pièces brèves, Op. 84: V. Improvisation in C-Sharp Minor | Gabriel Fauré, Kun-Woo Paik | D♭ Major | 0 | 3B | 74 BPM | |
 | 4 Pieces, Op. 51: No. 1, Fragilité. Allegretto | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 69 BPM | |
 | Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | |
 | Enigma Variations, Op. 36: Var. 1. L'istesso tempo "C.A.E." | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | |
 | Nocturne No. 6 in F Major, H. 40 "Cradle Song" | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | |
 | Bagatelles I-XIII: Bagatelle III | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 94 BPM | |
| Nocturne No. 2 in C Minor, H. 25 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | |
 | Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits "Melody" (Arr. Sgambati for Piano) | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | |
 | Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | |
 | 3 Pieces in Old Style: No. 1, Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | B♭ Major | 0 | 6B | 75 BPM | |
 | Iphigenie en Aulide, Act II: Gavotte (Arr. J. Brahms) | Christoph Willibald Gluck, Matti Raekallio | A Major | 0 | 11B | 172 BPM | |
 | Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | |
 | Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | |
 | Prelude in G Major | Víkingur Ólafsson | G Major | 0 | 9B | 102 BPM | |
 | Schluss | Fanny Mendelssohn, Heather Schmidt | E Major | 1 | 12B | 87 BPM | |
 | Cello Sonata in B-Flat Major, Op. 46: 2. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | A♭ Major | 0 | 4B | 65 BPM | |
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | E Major | 1 | 12B | 87 BPM | |
 | Pavane, Op. 50 (Arr. for Saxophone and Orchestra) | Amy Dickson, Gabriel Fauré, London Session Orchestra, Chris Walden | F♯ Minor | 1 | 11A | 117 BPM | |
 | 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Radu Lupu | D Minor | 0 | 7A | 135 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 80 BPM |
- ISRC
- HKI199744011
- Label
- L-M Records/RCA Records