"Aftermath, No. 2" by Miklós Rózsa had its release date on January 29, 1960. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Aftermath, No. 2's duration is considered a little bit shorter than the average duration of a typical track. The song is number 40 out of 88 in Ben Hur (Original Motion Picture Soundtrack) [Deluxe Version] by Miklós Rózsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Aftermath, No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Aftermath, No. 2 by Miklós Rózsa is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Main Title - From "A Little Romance" | Georges Delerue | D Major | 3 | 10B | 87 BPM | ||
| The Tomb of Kings | Trevor Jones | G Minor | 1 | 6A | 71 BPM | ||
| Unheard Whispers | Infinity Nikki, FoldEcho | C Major | 2 | 8B | 135 BPM | ||
| Around the World – Part I | Victor Young, United Artists Studio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
| Walking and slowly dancing together | Jalaapeno | B Minor | 0 | 10A | 92 BPM | ||
| Reunion And Finale (From "Gettysburg") | Cincinnati Pops Orchestra, Erich Kunzel, Timothy Berens | G Major | 3 | 9B | 56 BPM | ||
| As Far As Florence | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 1 | 10B | 73 BPM | ||
| Sissi's Anxiety | Pino Donaggio | D♭ Major | 1 | 3B | 125 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Die Ewigen Gärten | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Crystal Palace - Conan The Destroyer/Soundtrack Version | Basil Poledouris | D Minor | 3 | 7A | 72 BPM | ||
| Akwasidae | Kwaku Boakye-Frempong | C Major | 2 | 8B | 135 BPM | ||
| The Beginning of the Partnership | Stephen Warbeck, Nick Ingman, Gavyn Wright | B♭ Major | 2 | 6B | 138 BPM | ||
| The Drums of Gaugamela | Vangelis | B Major | 9 | 1B | 153 BPM | ||
| In Your Words | Hollers Gang | D♭ Minor | 2 | 12A | 86 BPM | ||
| Gianni Schicchi: O mio babbino - Arr. For Horn and Orchestra by Wolfgang Renz | Giacomo Puccini, Felix Klieser, I Solisti di Pavia | C Major | 2 | 8B | 135 BPM | ||
| Lara Says Goodbye to Yuri (Lara's Theme) | Maurice Jarre | G Major | 2 | 9B | 90 BPM | ||
| Lawrence Of Arabia | DLG Orchestra | D Major | 4 | 10B | 167 BPM | ||
| El Collar | Roque Baños, Pro Arte Orchestra Of London | E Minor | 0 | 9A | 85 BPM | ||
| Swoon, I'll Catch You | Academy of St. Martin in the Fields, Gabriel Yared | C Minor | 2 | 5A | 82 BPM | ||
| Panem Et Circenses March (2nd Reprise) | Miklós Rózsa | E Minor | 8 | 9A | 111 BPM | ||
| Cutting The Rope | Harald Kloser | D Minor | 0 | 7A | 143 BPM | ||
| Activando Sensaciones | Sirenas Celestiales | D♭ Major | 0 | 3B | 121 BPM | ||
| Altobello | Carmine Coppola | F Major | 1 | 7B | 109 BPM | ||
| Why Picton? | Academy of St. Martin in the Fields, Gabriel Yared | E Minor | 1 | 9A | 79 BPM | ||
| Banquet | Naoki”naotyu-”Chiba | A♭ Major | 1 | 4B | 178 BPM |