Urs Wiesendanger, Janet Dawkins's 'U And...' had a release date set for February 14, 2014. This song is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. There are a total of 17 in the song's album "The Real Me". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Switzerland. Based on our statistics, U And...'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With U And... by Urs Wiesendanger, Janet Dawkins having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El arte de mirarnos | Nach | B♭ Minor | 7 | 3A | 90 BPM | ||
| Life Between The Notes | Bluey | B Minor | 8 | 10A | 114 BPM | ||
| Grounded Phase | Motion Ledger | B♭ Minor | 7 | 3A | 90 BPM | ||
| Goodbye | Up Jazz | F Minor | 7 | 4A | 95 BPM | ||
| You Moved Me To This | Lisa Fischer, James "D-Train" Williams | G Major | 6 | 9B | 110 BPM | ||
| Blue Never Lies | Blue coleman | B♭ Minor | 7 | 3A | 90 BPM | ||
| A Glass Half Full of You | Blue coleman | B♭ Minor | 7 | 3A | 90 BPM | ||
| Will Never Forget You | Cut Davis | G Minor | 8 | 6A | 113 BPM | ||
| Chase the Med | Ibiza Players Lounge | A Minor | 6 | 8A | 108 BPM | ||
| Now That The Love Is Over | New York Voices | F♯ Major | 6 | 2B | 108 BPM | ||
| si te tuviera | Sr.Fernandez | D Minor | 4 | 7A | 90 BPM | ||
| You're The Only Woman | David Pack | B♭ Minor | 7 | 3A | 90 BPM | ||
| Holdin' On To Love | Jay Graydon | G Major | 7 | 9B | 107 BPM | ||
| Backroom Session | Midtown Noir | B♭ Minor | 7 | 3A | 90 BPM | ||
| Get Yourself Together | Torsten Goods | F Minor | 6 | 4A | 88 BPM | ||
| Feet Back On The Ground (feat. Heston) | Tristan, Heston | A♭ Major | 6 | 4B | 110 BPM | ||
| Fields of Tomorrow | Boulevard da Musica, SoulFull | B♭ Major | 5 | 6B | 131 BPM | ||
| Let's Communicate | Alex Johnson, Urs Wiesendanger | B♭ Minor | 7 | 3A | 90 BPM | ||
| (Baby I'll) Come When You Call | Oleta Adams | D Major | 8 | 10B | 90 BPM | ||
| Colors of the Tide | Cut Davis | D♭ Minor | 7 | 12A | 93 BPM | ||
| It's So Amazing | Joyce Cooling | B Minor | 8 | 10A | 133 BPM | ||
| There Ain't Nothin' | Andreas Aleman | A♭ Major | 8 | 4B | 92 BPM | ||
| Elastic Phrasing | Motion Ledger | B♭ Minor | 7 | 3A | 90 BPM | ||
| Love You All The Way | Claudia Campagnol | C Major | 7 | 8B | 108 BPM | ||
| Tears for Niro | Roberto Tola, Bill McGee | A Major | 5 | 11B | 80 BPM |