"Naoko" by Tim Allhoff had its release date on August 22, 2025. The duration of This song is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Naoko's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 3 in the song's album "Norwegian Wood". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. The popularity of Naoko is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Naoko by Tim Allhoff having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Puccini: Gianni Schicchi: "O mio babbino caro" (Instrumental Version) | Giacomo Puccini, Camille Berthollet, Romain Dumas, Orchestre National Bordeaux Aquitaine | A♭ Major | 2 | 4B | 177 BPM | ||
| Anemos | Olivia Belli, Chris Worsey | G Minor | 0 | 6A | 85 BPM | ||
| Valadier | Olivia Belli, Louisa Fuller, John Metcalfe, Chris Worsey | E♭ Minor | 0 | 2A | 69 BPM | ||
| Reflection No. 5 (With Surprises) | Camille Thomas, Julien Brocal | F Major | 1 | 7B | 80 BPM | ||
| Transmission | Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | E Major | 2 | 12B | 83 BPM | ||
| Silent Watch | Gabriele Baldocci | E♭ Major | 0 | 5B | 68 BPM | ||
| Jocelyn, Op. 100: Berceuse (Arr. Sandré for Piano 4 Hands) | Benjamin Godard, Lucas Jussen, Arthur Jussen | A♭ Major | 0 | 4B | 88 BPM | ||
| She (Arr. Goss Guitar & String Ensemble) | Charles Aznavour, Alexandra Whittingham, Carducci String Quartet, Thea Sayer | A Major | 1 | 11B | 103 BPM | ||
| Ithaca Suite: IV. Penelopeia | Olivia Belli | B Minor | 0 | 10A | 176 BPM | ||
| Ave Maria, CG 89a (After Prelude in C Major, BWV 846) [Version for Cello & Piano] | Charles Gounod, Johann Sebastian Bach, Steven Isserlis, Connie Shih | E♭ Major | 0 | 5B | 68 BPM | ||
| Consolation No. 3, S. 172/3 (Arr. Swert for Cello & Piano) | Franz Liszt, Sheku Kanneh-Mason, James Baillieu | E Major | 1 | 12B | 121 BPM | ||
| Elise's Dream (After Beethoven's Bagatelle No. 25 in A Minor, WoO 59) [Arr. for Piano & Orchestra by Louis Philippson & Jan-Peter Klöpfel) | Ludwig van Beethoven, Jan-Peter Klöpfel, Louis Philippson, MDR Leipzig Radio Symphony Orchestra, Ben Palmer | E♭ Major | 0 | 5B | 78 BPM | ||
| Brahms: 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. Cortot for Piano) | Johannes Brahms, Kenji Miura | E♭ Major | 0 | 5B | 68 BPM | ||
| Losing a Puppy | Jean-Michel Bernard | D Minor | 1 | 7A | 138 BPM | ||
| Metamorphosis | Eunike Tanzil, Sophie Kauer, Deutsches Symphonie-Orchester Berlin, Anna Handler | B Minor | 2 | 10A | 85 BPM | ||
| Light Eternal | Stephen Edwards, The City of Prague Philharmonic Orchestra, Candace Wicke | C Major | 1 | 8B | 139 BPM | ||
| Forgotten Melodies I, Op. 38: VI. Canzona serenata | Nikolai Medtner, Alexander Malofeev | F Minor | 0 | 4A | 86 BPM | ||
| Ithaca Suite: VII. Pax Athenae | Olivia Belli, Canea Quartett | F Major | 0 | 7B | 129 BPM | ||
| The Well-Tempered Clavier I: Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude (Arr. for Violin, String Quintet and Piano by Tim Allhoff) | Johann Sebastian Bach, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff | C Major | 3 | 8B | 101 BPM | ||
| Deep River (Arr. The Kanneh-Masons for Ensemble) | Samuel Coleridge-Taylor, The Kanneh-Masons | E Major | 1 | 12B | 82 BPM | ||
| Dolomites, pale mountains: I. Marmolada | Rachel Portman, LGT Young Soloists, Alexander Gilman | G Major | 0 | 9B | 86 BPM | ||
| Contemplation | David Bertok, Eva Brönner | F Major | 1 | 7B | 79 BPM | ||
| Lloyd Webber: The Gardens at Eastwell "A Late Summer Impression" (Arr. Soudoplatoff for Violin and Strings) | William Lloyd Webber, Vilde Frang, Robin Ticciati, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 99 BPM | ||
| Concerto for Violin and Orchestra (To the memory of my mother): I. Lento, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 80 BPM | ||
| Piano Sonata in A major | Thomas Enhco | A Major | 0 | 11B | 70 BPM |