On March 14, 1984, the song "Titli" was released by Original Soundtrack. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Titli's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Original Soundtrack's "I Komisa Tis Kerkiras" album is number 1 out of 16. On top of that, Greece appears to be the country where this track was created. Based on our statistics, Titli's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Titli by Original Soundtrack to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Basic Instinct Theme | John Beal | E Minor | 3 | 9A | 138 BPM | ||
| The Untouchables - From "The Untouchables" Soundtrack | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| This is a Tale | Melbourne Symphony Orchestra, Nigel Westlake | D Minor | 2 | 7A | 92 BPM | ||
| TVR-17 Pop | Barry Gray | F Minor | 8 | 4A | 83 BPM | ||
| Metropolis, Op. 29, Act I "Auftakt": Maschinen | Gottfried Huppertz, Deutsches Symphonie-Orchester Berlin, Frank Strobel | B Major | 1 | 1B | 132 BPM | ||
| Achievement | Jack Trombey | D Minor | 0 | 7A | 144 BPM | ||
| Suite From Thor's Hammer | Original Soundtrack | C Major | 1 | 8B | 121 BPM | ||
| Kelly's Heroes (Theme) | Czech Philharmonic Chamber Orchestra | A Minor | 7 | 8A | 120 BPM | ||
| I, Robot Theme (End Credits) | Marco Beltrami | D♭ Major | 6 | 3B | 120 BPM | ||
| Albert Speers Abschied | Stephan Zacharias | F Minor | 0 | 4A | 118 BPM | ||
| The Magnificent Seven: Main Titles And Calvera's Visit: Allegro Con Fuoco | Phoenix Symphony, James Sedares | D Minor | 4 | 7A | 83 BPM | ||
| Introduction | Original Soundtrack | A Major | 8 | 11B | 136 BPM | ||
| The Strength Of The Righteous (Main Title) | Ennio Morricone | C Major | 2 | 8B | 144 BPM | ||
| Father Brown (From "Father Brown") | Debbie Wiseman, The Orchestra of the Guildhall School | G Minor | 2 | 6A | 116 BPM | ||
| G'day | Peter Best | B Major | 3 | 1B | 120 BPM | ||
| Homeward Bound | Jack Trombey | F Major | 7 | 7B | 111 BPM | ||
| Fireflash Landing | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Expedition | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Skating InThe Big Store (from the Film 'Modern Times') | United Artist's Studio Orchestra | G Major | 4 | 9B | 144 BPM | ||
| Canción para Catalina | Abraham Yacaman, La Filarmónica Metropolitana de Colombia | E♭ Major | 3 | 5B | 79 BPM | ||
| Générique - From "Le Gendarme et les extraterrestres" | Raymond Lefèvre | F Major | 8 | 7B | 113 BPM | ||
| The Kidnap And The Quarry | George Fenton | E Minor | 7 | 9A | 93 BPM | ||
| 4-50 from Paddington - Railways | Dominik Scherrer | F♯ Minor | 4 | 11A | 140 BPM | ||
| This Is A Tale... | Nigel Westlake | C Major | 3 | 8B | 103 BPM | ||
| The Third Man Theme (The Harry Lime Theme) - Original Version | Anton Karas | F♯ Major | 5 | 2B | 90 BPM |