Count Basie Trio's ' "O.P." was released on its scheduled release date, 1974. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 12 in For The First Time by Count Basie Trio. Based on our statistics, O.P.'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of O.P. by Count Basie Trio is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Creole | Sammy Price | C Major | 8 | 8B | 158 BPM | ||
| Soft Tobacco Haze | Smokers Clubhouse Band | F Minor | 4 | 4A | 95 BPM | ||
| West End Boogie | Sammy Price | G Major | 5 | 9B | 152 BPM | ||
| Late Night Again | Jazz Pulse FM | C Major | 3 | 8B | 158 BPM | ||
| Mr. Jelly Lord | Jelly Roll Morton | E♭ Major | 3 | 5B | 130 BPM | ||
| One O'Clock Jump - Live At The Montreux Jazz Festival, Montreux, Switzerland / July 15, 1977 | Count Basie Big Band | D♭ Major | 3 | 3B | 87 BPM | ||
| Old Time Shuffle | Andreas Sobczyk Quartett | G Major | 3 | 9B | 195 BPM | ||
| Don't Be Flat | Reverent Juke | A♭ Major | 4 | 4B | 98 BPM | ||
| Boogie Rider | Snorre Kirk | F Major | 3 | 7B | 110 BPM | ||
| Wild Man Blues | Johnny Dodds | A♭ Major | 2 | 4B | 130 BPM | ||
| Jo | House Blues | A♭ Major | 5 | 4B | 174 BPM | ||
| Jumpin' At the Deuces | Slam Stewart | A♭ Major | 1 | 4B | 76 BPM | ||
| Things Ain't What They Used To Be - Live At The Montreux Jazz Festival, Montreux, Switzerland / July 15, 1977 | Count Basie Big Band | B♭ Major | 7 | 6B | 144 BPM | ||
| Struttin' with Some Barbecue | Alan Broadbent Trio | F♯ Major | 3 | 2B | 125 BPM | ||
| Call Me Happy | Earl Hines & His Orchestra | A♭ Major | 6 | 4B | 117 BPM | ||
| What Matters Stays | A Jazz Story | A♭ Major | 2 | 4B | 130 BPM | ||
| Oh, Lady Be Good! | Michael Gamble & The Rhythm Serenaders | G Minor | 2 | 6A | 170 BPM | ||
| Sorghum Switch | Jimmy Dorsey & His Orchestra | F Major | 3 | 7B | 139 BPM | ||
| Beale Street Blues Ver2 | Buster Bailey | A♭ Major | 1 | 4B | 144 BPM | ||
| Gee, Baby, Ain't I Good to You (From 'Kath Meets Humph') | Humphrey Lyttelton | E Minor | 3 | 9A | 101 BPM | ||
| Spiteful | Marco Bianchi Vibes 4tet | B♭ Minor | 5 | 3A | 110 BPM | ||
| Who Knows | Peter Platts Jazz mbH, Thomas Gansch | C Major | 4 | 8B | 90 BPM | ||
| Up Blues | Hampton Hawes | C Major | 3 | 8B | 134 BPM | ||
| Good Vibes | Peter Platts Jazz mbH, Thomas Gansch | C Major | 2 | 8B | 126 BPM | ||
| Sombras suaves | Zypheron | A♭ Major | 2 | 4B | 130 BPM |