Niño Ricardo's ' "Por Fandango" was released on its scheduled release date, January 27, 1950. The duration of This song is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Por Fandango's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 44 in Cantos para Zapatear by Niño Ricardo. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Por Fandango is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Por Fandango by Niño Ricardo is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cante de la Sierra (with Jesús de Madrid) - Remastered | Pepe De Almería, Jesús de Madrid | D♭ Major | 1 | 3B | 99 BPM | ||
| Por Qué Te Alejas De Mí: Fandangos | El Sevillano, Niño Ricardo | E♭ Major | 2 | 5B | 128 BPM | ||
| Me Han Dicho Que No Hay Salida (with Niño Ricardo) | Canalejas De Puerto Real, Niño Ricardo | C Major | 2 | 8B | 87 BPM | ||
| De Ayamonte a Mazagon | Paco Toronjo | E♭ Major | 3 | 5B | 69 BPM | ||
| Rosas de Granada (Media Granaina) | Porrina de Badajoz, Niño Ricardo | B♭ Major | 2 | 6B | 90 BPM | ||
| Fandangos: Llorando al Pie de un Calvario / Quise Probar Si Era Buena / Mándame un Retrato Tuyo | José Palanca, Manolo De Badajoz | C Minor | 3 | 5A | 167 BPM | ||
| Recuerdo a Sevilla (Serenata) | Niño Ricardo | E♭ Minor | 2 | 2A | 168 BPM | ||
| Todavía Yo la Quiero (Fandangos) | Fosforito, Vargas Araceli | F♯ Minor | 1 | 11A | 81 BPM | ||
| Las Acacias Cordobesas | Pepe Marchena, Ramón Montoya | E♭ Minor | 2 | 2A | 168 BPM | ||
| La Hija de Don Juan Alba | Angelillo de Valladolid, Juan Soto | C Major | 6 | 8B | 97 BPM | ||
| Esquilones de Plata - Bulerías | Porrina de Badajoz | G Major | 8 | 9B | 158 BPM | ||
| Por Culpa de una Mujer (with Niño Ricardo) | El Sevillano, Niño Ricardo | C Major | 4 | 8B | 140 BPM | ||
| Sevillanas: El Clavel Que Me Diste (with Antonio Moreno) | La Niña de los Peines, Antonio Moreno | B Major | 5 | 1B | 94 BPM | ||
| Por Siguiriyas (En La) | Niño Ricardo | E♭ Minor | 2 | 2A | 168 BPM | ||
| Cantes de los Picos de Guanabacoa (Guajiras) | Pepe Marchena, Alfonso Alfaro | E♭ Minor | 2 | 2A | 168 BPM | ||
| Recuerdo a la Charo | Antonio de la Malena | F♯ Minor | 6 | 11A | 120 BPM | ||
| Verdiales - Remastered | Antonio Ranchal y Alvarez de Sotomayor, Pepe Martínez | D♭ Major | 2 | 3B | 173 BPM | ||
| Ay, Mi Torero - Bulerías | La Paquera De Jerez, Felipe Campuzano, Manolo Sanlucar, I. Morales | G Major | 6 | 9B | 134 BPM | ||
| Fandangos de Valverde: Valverde de Mis Valverdes - Remastered | Cerrejón, M. Garrido Palacios, M. Pascual | E Minor | 9 | 9A | 99 BPM | ||
| Saeta No. 2 (Una Bandera Se Veía) | Manuel Vallejo | F Major | 1 | 7B | 91 BPM | ||
| Tangos (Avanzado) : Falseta de Salida y del Cante | Juan María Real, Ana Real, Manuel Salado | E Minor | 6 | 9A | 110 BPM | ||
| De Mi Padre y de Mi Madre: Fandangos | Antonio el de la Carzá, Niño Ricardo | D♭ Major | 1 | 3B | 80 BPM | ||
| Fiesta de Familia: Tientos - Remastered | Pepe De La Matrona, Román El Granaino | C Minor | 3 | 5A | 72 BPM | ||
| A Qué Tanto Me Consientes: Malagueña (with Antonio Arenas & Aurelio Garci) - Remastered | Jacinto Almaden, Antonio Arenas, Aurelio Garci | F Major | 1 | 7B | 133 BPM | ||
| El arao en la besana | El Cabrero | D Minor | 4 | 7A | 117 BPM |