"Render the Fault Lines Beautiful & Strong" by Halftribe had its release date on July 15, 2022. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 10 in Elegant, Golden by Halftribe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Render the Fault Lines Beautiful & Strong's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Render the Fault Lines Beautiful & Strong by Halftribe is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mountain Pass | KENJI KIHARA | A♭ Major | 1 | 4B | 69 BPM | ||
| Liberated Lies | Halftribe | D Minor | 3 | 7A | 75 BPM | ||
| Lighthouse | Hakobune | B♭ Major | 1 | 6B | 74 BPM | ||
| a decade | awakened souls | D Major | 1 | 10B | 94 BPM | ||
| Theories | Jonny Nash | F Major | 1 | 7B | 94 BPM | ||
| Into The Blue | Low Altitude | B Major | 1 | 1B | 131 BPM | ||
| Whirlwind | Kazuma Okabayashi | F♯ Major | 3 | 2B | 81 BPM | ||
| Forest Trails | Windy & Carl | D Minor | 2 | 7A | 142 BPM | ||
| Longer Way | Tomasz Bednarczyk | E♭ Minor | 0 | 2A | 75 BPM | ||
| Horisont | Saktefall | E♭ Major | 1 | 5B | 183 BPM | ||
| Talk To The Church | Gaussian Curve | F♯ Major | 0 | 2B | 136 BPM | ||
| Landscape of Perpetual Oblivion | Slow Attack Ensemble | B♭ Minor | 3 | 3A | 82 BPM | ||
| Calm | Chill Advisor | E♭ Major | 1 | 5B | 183 BPM | ||
| Lava Lamp | Geller | E Major | 1 | 12B | 141 BPM | ||
| Sleepwalking | Indigo Sleep | E♭ Minor | 2 | 2A | 76 BPM | ||
| Dawn Pauses to Breathe | Desolate Horizons | E Major | 1 | 12B | 58 BPM | ||
| Heart Donor | Sofie Birch, Johan Carøe | C Major | 1 | 8B | 68 BPM | ||
| Afternoon Coastline | Hirotaka Shirotsubaki | C Minor | 1 | 5A | 163 BPM | ||
| Springtime in Croatia | Patricia Wolf | B♭ Minor | 7 | 3A | 126 BPM | ||
| Cauline | Ann Annie | E♭ Major | 1 | 5B | 165 BPM | ||
| Forgetful Angel | kita kouhei | B Major | 1 | 1B | 125 BPM | ||
| Low Frequency Sanctuary | Pat Serenade | E♭ Minor | 6 | 2A | 113 BPM | ||
| Yellow Calcite II | Imaginary Softwoods | A Minor | 3 | 8A | 77 BPM | ||
| I Became the Amber Sky | Desolate Horizons | E♭ Major | 1 | 5B | 72 BPM | ||
| Side A, Pt. 1 | Hotel Neon | C Major | 2 | 8B | 84 BPM |