"火祭りの踊り(《恋は魔術師》から)" by Manuel de Falla, 工藤すみれ, 江口 玲 had its release date on 2001. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ラブ・オブ・ビューティ, so we believe that "火祭りの踊り(《恋は魔術師》から)" is a single. Based on our statistics, 火祭りの踊り(《恋は魔術師》から)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 火祭りの踊り(《恋は魔術師》から) by Manuel de Falla, 工藤すみれ, 江口 玲 is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Spanish Dances, Op. 23: Danza española No. 5: Playera, Op. 23, No. 1 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | G Major | 2 | 9B | 168 BPM | ||
| Melody from « Orfeo » | Christoph Willibald Gluck, Roberto Giordano | G Minor | 2 | 6A | 115 BPM | ||
| Habanera | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 0 | 11B | 128 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
| 4 piezas españolas: I. Aragonesa (Allegro) | Manuel de Falla, Javier Perianes | C Major | 1 | 8B | 100 BPM | ||
| Thaïs: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM | ||
| Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
| Nana | Manuel de Falla, Kim Kashkashian, Robert Levin | A Minor | 0 | 8A | 93 BPM | ||
| I. Prélude. Andantino | César Franck, Jean-Pierre Armengaud | D Major | 0 | 10B | 66 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | E Minor | 1 | 9A | 99 BPM | ||
| Albéniz: Iberia: 3. Puerto | Paco de Lucía, Jose Maria Bandera, Juan Manuel Canizares | A Major | 2 | 11B | 81 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | G Major | 3 | 9B | 97 BPM | ||
| Cui: Kaléidoscope, Op. 50: No. 9, Orientale | César Cui, Herbert Downes, John C. Williams | D Major | 0 | 10B | 83 BPM | ||
| 7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | B♭ Major | 2 | 6B | 85 BPM | ||
| Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
| El sombrero de tres picos, Pt. 2: IV. Danza final | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | C Major | 4 | 8B | 89 BPM | ||
| Gulda: Concerto for Cello, Wind Orchestra and Band, Op. 129: IV. Menuett | Friedrich Gulda, Edgar Moreau, Raphaël Merlin, Les Forces Majeures | A Major | 1 | 11B | 133 BPM | ||
| The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
| Rusalka, Op. 114, Act I: Song to the Moon | Antonín Dvořák, Pablo Ferrandez, Martin Fröst, Swedish Chamber Orchestra | D Minor | 1 | 7A | 109 BPM | ||
| Deux mélodies hébraïques, M. A22: I. Kaddisch (Transcr. by Richard Tognetti for Cello and Orchestra ) | Maurice Ravel, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 82 BPM | ||
| Gymnopédie No. 1 (Arr. C. Thomas for Cello and Piano) | Erik Satie, Camille Thomas, Julien Brocal | G Major | 0 | 9B | 165 BPM | ||
| Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
| Lute Suite in E Minor, BWV 996: II. Allemande - arr. for Guitar | Johann Sebastian Bach, Sean Shibe | C Major | 3 | 8B | 104 BPM | ||
| Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM |