Carl Smith's ' "Memory Number One" was released on its scheduled release date, 1965. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Memory Number One's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Smith's "I Want to Live and Love" album is number 4 out of 12. On top of that, United States appears to be the country where this track was created. Based on our statistics, Memory Number One's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Memory Number One by Carl Smith to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The World You Left Behind | Tony Wall | A♭ Major | 6 | 4B | 101 BPM | ||
| Just Between The Two Of Us | Charlie Louvin | C Major | 3 | 8B | 112 BPM | ||
| The One You Slip Around With | Jan Howard | A♭ Major | 5 | 4B | 133 BPM | ||
| The Kind Of Love I Can't Forget | Bob Wills & Tommy Duncan with The Texas Playboys | G Major | 3 | 9B | 109 BPM | ||
| Mister and Mistress | Tompall & The Glaser Brothers | F Major | 5 | 7B | 132 BPM | ||
| That's The Way It Goes | Diane Pellon | F Major | 5 | 7B | 132 BPM | ||
| Dog-Gone It Baby, I'm in Love | Carl Smith | C Major | 3 | 8B | 107 BPM | ||
| Big Man in a Big House | Leroy Van Dyke | A Minor | 8 | 8A | 172 BPM | ||
| Good Woman Blues | Henson Cargill | G Major | 5 | 9B | 109 BPM | ||
| How Can I Face Tomorrow | Patsy Cline | F♯ Major | 2 | 2B | 117 BPM | ||
| Take Me As I Am (Or Let Me Go) | Little Jimmy Dickens | A♭ Major | 2 | 4B | 120 BPM | ||
| Good Deal, Lucille | Carl Smith | C Major | 5 | 8B | 94 BPM | ||
| Hard Act to Follow | Tompall & The Glaser Brothers | E Major | 2 | 12B | 91 BPM | ||
| Once | Ferlin Husky | A Major | 2 | 11B | 87 BPM | ||
| Lefty, Merle & Me | David Frizzell, Marty Haggard | A Major | 4 | 11B | 102 BPM | ||
| The World Tomorrow | Al Terry | A♭ Major | 2 | 4B | 139 BPM | ||
| There She Goes | Carl Smith | B♭ Major | 3 | 6B | 107 BPM | ||
| Congratulations, You're Absolutely Right | Tony Booth | D Major | 4 | 10B | 125 BPM | ||
| Mockin' Bird Hill | George Jones and Gene Pitney | B♭ Major | 4 | 6B | 153 BPM | ||
| I'm No Longer In Your Heart | Charlie Louvin | E♭ Major | 4 | 5B | 125 BPM | ||
| Do You Stll Believe | ROY BAHAM | C Major | 2 | 8B | 104 BPM | ||
| Heart To Heart Talk | Bob Wills | D Major | 1 | 10B | 102 BPM | ||
| Your Best Friend and Me | Mac Wiseman | D Major | 4 | 10B | 120 BPM | ||
| Are You Teasing Me | Carl Smith | E Major | 3 | 12B | 133 BPM | ||
| Don't Let Me Cross Over | Carl Butler | G Major | 2 | 9B | 114 BPM |