Lebanese Maronite Order, Ghada Shbeir's 'هلل هلل هللونُي، بَر اَلُهُا' had a release date set for May 1, 1994. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. هلل هلل هللونُي، بَر اَلُهُا's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in تراتيل مارونيّة تقليدية 2, so we believe that "هلل هلل هللونُي، بَر اَلُهُا" is a single. Based on our statistics, هلل هلل هللونُي، بَر اَلُهُا's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of هلل هلل هللونُي، بَر اَلُهُا by Lebanese Maronite Order, Ghada Shbeir is Allegro (fast, quick, and bright), since this song has a tempo of 123 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rafa'atu Ayniyya Ila L'ljabal | Peter Hanna | F Major | 4 | 7B | 133 BPM | ||
| لحن جى ناى نان - ارحمنا | Life Fountain Team فريق ينبوع الحياة | C Major | 3 | 8B | 93 BPM | ||
| يسوع انت الهي | Rana Baransi | B♭ Major | 1 | 6B | 81 BPM | ||
| المجد لك أيها المسيح | Sancta Maria Choir | E Minor | 4 | 9A | 101 BPM | ||
| Ya Sayidi - يا سيدي كم كان قاسيا | Christiane Najjar | E♭ Minor | 1 | 2A | 87 BPM | ||
| Sayede A3tina (???? ?????) | Father Hovig Boudakian | A♭ Major | 1 | 4B | 138 BPM | ||
| كان يا ما كان | Lebanese Maronite Order | A Minor | 0 | 8A | 71 BPM | ||
| أنتم ملح الأرض | Lebanese Maronite Order | D Major | 3 | 10B | 102 BPM | ||
| منذ الطفولة | Father Nehme Nehme | F Major | 2 | 7B | 71 BPM | ||
| لا تخف لأني أنا معك | Ava Rewase Choir | F♯ Minor | 3 | 11A | 105 BPM | ||
| Hananaka Ya Rab al Akwan - حنانك يا رب الأكوان | Christiane Najjar | C Major | 2 | 8B | 82 BPM | ||
| Ya mar charbel - Bénédiction avec l'icône de Saint Charbel | Qolo, Miled Tarabay, Lena Farah | C Major | 2 | 8B | 142 BPM | ||
| Falnoratel M3a Dawood | فلنرتل مع داود | U Turn Team | فريق يوتيرن, Barsoum Elkomos Eshak | برسوم القمص اسحق | D Minor | 2 | 7A | 105 BPM | ||
| انني اشاهد خدرك | Byzantine Chants | A♭ Major | 2 | 4B | 145 BPM | ||
| Btarokh Moran Noqeshno | Syriac Music Choir | D Minor | 2 | 7A | 75 BPM | ||
| الأوديتان الأولى والثالثة | The Choir of Eparchy of Tripoli | E Major | 1 | 12B | 57 BPM | ||
| Bo'out Mor Ya'coub - Laudes | Qolo, Miled Tarabay | C Major | 2 | 8B | 75 BPM | ||
| Christ Our God | Chorus of St. Jacob Serugh of Vancouver | B Minor | 5 | 10A | 135 BPM | ||
| Psalm 134 (Continued) | Rana Nassour-Derbaly | A Minor | 1 | 8A | 66 BPM | ||
| Yassou Anta Ilahi | Jesus Ma Joie, Nabiha Yazbeck | B♭ Major | 3 | 6B | 106 BPM | ||
| Ya Oum Allah Kanza Al Barakat | P. Fady Tabet | D Minor | 2 | 7A | 127 BPM | ||
| Psalm 83, Maqam Nahawand | Father Nicolas Malek, The Choir of Eparchy of Tripoli | D♭ Minor | 2 | 12A | 83 BPM | ||
| Mchiho Natareh L'Idtokh - Vepres | Qolo, Miled Tarabay | F Major | 3 | 7B | 74 BPM | ||
| Hail to Mary | Coptic Hymns in English | E Major | 4 | 12B | 100 BPM | ||
| Psalm 114, Maqam Farah Faza | Father Nicolas Malek, The Choir of Eparchy of Tripoli | D♭ Minor | 2 | 12A | 83 BPM |