On September 9, 2008, the song "Vantha Kadan" was released by S. P. Balasubrahmanyam. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 4 out of 10 in Anandamayane by S. P. Balasubrahmanyam. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Vantha Kadan is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Vantha Kadan by S. P. Balasubrahmanyam is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ettrugirom | Mahanadi Shobana | C Major | 7 | 8B | 176 BPM | ||
| Thirisoolam | Unni Menon | D Major | 5 | 10B | 180 BPM | ||
| Varam Tharuvaai | Sirkazhi Govindarajan | G Minor | 4 | 6A | 146 BPM | ||
| Poovoma Oorgolam | Swarnalatha, S. P. Balasubrahmanyam | C Minor | 4 | 5A | 83 BPM | ||
| Muthai tharu Pathi | Uthara Unnikrishnan | A Minor | 5 | 8A | 160 BPM | ||
| Sabari Malai Varuorikku | Veeramani Raju | D Major | 5 | 10B | 110 BPM | ||
| Kathavarayaa | Veeramanidaasan | A Minor | 6 | 8A | 113 BPM | ||
| Eerezhu Bhuvanangal | S. P. Balasubrahmanyam | G Minor | 8 | 6A | 103 BPM | ||
| Hanumanin Thiruvadivam | Dinesh | F Minor | 4 | 4A | 83 BPM | ||
| Vavarin Thozhane | Veeramanidasan | B Minor | 8 | 10A | 126 BPM | ||
| Vasudha Chooda | Priya Sisters | A♭ Major | 4 | 4B | 136 BPM | ||
| Thundai Nee Varuvai | Dheena, Veeramani, Maanikka Vinayagam, K. Veeramani | C Major | 7 | 8B | 127 BPM | ||
| Samayapurathaa - Language: Tamil; Genre: Amman | Veeramanidaasan | C Minor | 7 | 5A | 93 BPM | ||
| PANDARAMAAM | Veeramanidaasan | G Major | 7 | 9B | 111 BPM | ||
| Aagaayam Thaavum - Language: Tamil; Genre: Aanjaneyaa | Dinesh | G Minor | 4 | 6A | 113 BPM | ||
| Kolai Konda Porvizhi | Venkatesan Thirunaukkarasu | C Major | 6 | 8B | 140 BPM | ||
| Sathi Malli Poocharame | Maragadhamani, Pulamaipithan, S. P. Balasubrahmanyam | F♯ Major | 9 | 2B | 148 BPM | ||
| Arul Pathu | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Alli Alli (From "Bhandam") | K. Chakravarthy, S. P. Balasubrahmanyam | A♭ Major | 6 | 4B | 114 BPM | ||
| Sri Venkataadri Meeda | S. P. Balasubrahmanyam | E Minor | 9 | 9A | 101 BPM | ||
| Kundrellaam Kumara | Nithya Sri Mahadeven | B♭ Major | 4 | 6B | 82 BPM | ||
| Hanumantha Hanumantha | L. Krishnan, Rajkumar Bharathi, Dr. Ulundurpet Shanmugam | B Minor | 5 | 10A | 132 BPM | ||
| Pandalam | Baladesikan | F Minor | 7 | 4A | 90 BPM | ||
| Tholnokkam | SIVA DAMODHARAN AYYA | C Minor | 8 | 5A | 160 BPM | ||
| Cheppaledhantanaka | V. Ramakrishna | F Major | 5 | 7B | 83 BPM |