Patsy Cline's ' "Fool #1 (Live - Concert)" was released on its scheduled release date, April 18, 2025. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Patsy Cline's "Imagine That: The Lost Recordings 1954-1963" album is number 39 out of 52. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Fool #1 (Live - Concert) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Fool #1 (Live - Concert) by Patsy Cline to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Why Have You Left The One You Left Me For | Crystal Gayle | B♭ Major | 5 | 6B | 146 BPM | ||
| Foolish Heart | The Mavericks | D Major | 4 | 10B | 104 BPM | ||
| The Midnight Oil | Barbara Mandrell | F♯ Major | 3 | 2B | 81 BPM | ||
| Town Without Pity | Gene Pitney | G Major | 5 | 9B | 120 BPM | ||
| I Only Want To Be With You | Dusty Springfield | G Major | 7 | 9B | 133 BPM | ||
| It's Just a Matter of Time | Randy Travis | E♭ Major | 6 | 5B | 201 BPM | ||
| Why Not Me | The Judds | B♭ Major | 7 | 6B | 126 BPM | ||
| Just Beyond the Moon | Tex Ritter | G Major | 3 | 9B | 113 BPM | ||
| I Don't Hurt Anymore | Hank Snow | B Major | 4 | 1B | 95 BPM | ||
| Tennessee Saturday Night | Red Foley | E Major | 4 | 12B | 141 BPM | ||
| Roses Are Red (My Love) | Bobby Vinton | G Minor | 3 | 6A | 98 BPM | ||
| Under the Boardwalk | The Drifters | G Major | 2 | 9B | 124 BPM | ||
| Old Rivers | Walter Brennan, The Johnny Mann Singers | A Major | 5 | 11B | 118 BPM | ||
| Rock and Roll Waltz | Kay Starr | D Major | 4 | 10B | 77 BPM | ||
| I Love You So Much It Hurts | Patsy Cline, The Jordanaires | G Major | 0 | 9B | 76 BPM | ||
| Harper Valley P.T.A. - Remastered 2022 | Jeannie C. Riley | D Major | 3 | 10B | 100 BPM | ||
| Are You Really Mine | Jimmie Rodgers | D Major | 4 | 10B | 77 BPM | ||
| It Wasn't God Who Made Honky Tonk Angels | Dolly Parton, Tammy Wynette, Loretta Lynn | D♭ Major | 4 | 3B | 110 BPM | ||
| I'm Sorry | Brenda Lee | B♭ Major | 2 | 6B | 102 BPM | ||
| Green, Green Grass of Home | Porter Wagoner | F Major | 2 | 7B | 108 BPM | ||
| Cry | Johnnie Ray | C Major | 1 | 8B | 70 BPM | ||
| Devil Woman | Marty Robbins | E Major | 3 | 12B | 72 BPM | ||
| Welcome to My World | Jim Reeves | E♭ Major | 3 | 5B | 81 BPM | ||
| There's a New Moon Over My Shoulder | Jimmie Davis | D Major | 4 | 10B | 77 BPM | ||
| I've Been Everywhere | Hank Snow | D♭ Major | 5 | 3B | 120 BPM |