"Mishkin" by Paul Haslinger had its release date on June 18, 2021. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 12 in Exit Ghost II by Paul Haslinger. Based on our statistics, Mishkin's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mishkin by Paul Haslinger is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Like We Were Dreaming All This Time, Pt. 2 | Neighborhood Libraries | D Minor | 0 | 7A | 118 BPM | ||
| Running By The Roads, Running By The Fields | Library Tapes, Julia Kent | D Minor | 2 | 7A | 122 BPM | ||
| Take 2 - Traces | Illuminine | D♭ Major | 0 | 3B | 72 BPM | ||
| Where to Start | Kyle Preston | F Major | 3 | 7B | 56 BPM | ||
| Funambulist | Wilson Trouvé | G Minor | 3 | 6A | 120 BPM | ||
| Klass | Tom Ashbrook | F♯ Major | 2 | 2B | 173 BPM | ||
| L'entretien des muses - Hugar Rework (After Jean-Philippe Rameau) | Víkingur Ólafsson, Hugar | D Minor | 2 | 7A | 100 BPM | ||
| Only Strings And Their Supports Remain | A Winged Victory for the Sullen, Adam Wiltzie, Dustin O'Halloran | G Minor | 3 | 6A | 80 BPM | ||
| Wheels Within Wheels | Penguin Cafe | A Minor | 4 | 8A | 124 BPM | ||
| Beginnings | James Heather | G Minor | 0 | 6A | 77 BPM | ||
| Fake Magic Is Real | Slow Meadow | A Major | 2 | 11B | 79 BPM | ||
| Words Are Gone | Hior Chronik, Hania Rani | A Major | 1 | 11B | 132 BPM | ||
| Sugar Fright | Jon Opstad, Paul Haslinger | G Major | 3 | 9B | 98 BPM | ||
| Get Me One of Those! | Paul Haslinger | A♭ Major | 4 | 4B | 83 BPM | ||
| A Través de Sus Ojos | Cedric Vermue | A Minor | 2 | 8A | 96 BPM | ||
| Hollowed Interlude | Stephen James | F Minor | 1 | 4A | 74 BPM | ||
| Wilde Wide | Martyn Heyne | C Minor | 0 | 5A | 70 BPM | ||
| We Came And Left | Cedric Vermue | F Minor | 2 | 4A | 158 BPM | ||
| A Tide of Forgotten Things | Kyle Preston | F Major | 2 | 7B | 91 BPM | ||
| Expand | CHLOE (Thévenin) | E♭ Major | 3 | 5B | 138 BPM | ||
| dark tree | Carlos Cipa | C Minor | 1 | 5A | 119 BPM | ||
| Hammer Frenzy - Edit | Theo Alexander | A♭ Minor | 5 | 1A | 148 BPM | ||
| Worlds Collide | Vetle Nærø | A♭ Minor | 1 | 1A | 147 BPM | ||
| Oceans | Phaeleh | B Major | 0 | 1B | 88 BPM | ||
| Berceuse | Felix Rösch | C Minor | 0 | 5A | 130 BPM |