"The Rings of Saturn" by Max Richter had its release date on October 17, 2019. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. The Rings of Saturn's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 29 in Ad Astra (Original Motion Picture Soundtrack) by Max Richter, Lorne Balfe. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The Rings of Saturn is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Rings of Saturn by Max Richter is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Murdstones | Christopher Willis | G Major | 2 | 9B | 136 BPM | ||
| Life Eternal | Clint Mansell | F Major | 1 | 7B | 75 BPM | ||
| Those We Left Behind - (Rain Version) | John Paul Hayward | C Minor | 1 | 5A | 55 BPM | ||
| Recomposed By Max Richter: Vivaldi, The Four Seasons: Autumn 3 | Max Richter, Daniel Hope, Raphael Alpermann, Konzerthaus Kammerorchester Berlin, Andre de Ridder | F Major | 3 | 7B | 145 BPM | ||
| Like a Bird | Jon Ekstrand | A Minor | 0 | 8A | 128 BPM | ||
| Summer - From “Girl” Original Motion Picture Soundtrack | Valentin Hadjadj | E♭ Minor | 0 | 2A | 73 BPM | ||
| She Is Slowly Dying | Kevin Smuts | G Major | 0 | 9B | 65 BPM | ||
| Boletus Felleus | Jonny Greenwood | E Major | 0 | 12B | 117 BPM | ||
| Emergency Launch | Harry Gregson-Williams | D♭ Major | 3 | 3B | 96 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| The Final Journey | Christopher Spelman | B Major | 2 | 1B | 153 BPM | ||
| Bed Of Ice | Dave Porter | A Minor | 2 | 8A | 80 BPM | ||
| 403.2 I'm Crazy Too | Mac Quayle | F Minor | 3 | 4A | 108 BPM | ||
| Burial | Mica Levi | B Minor | 2 | 10A | 63 BPM | ||
| Calm - Original Mix | Elara Lilara | C Minor | 1 | 5A | 55 BPM | ||
| God’s Rays | Rob Simonsen | D♭ Minor | 2 | 12A | 142 BPM | ||
| Gustav | Hania Rani | C Minor | 1 | 5A | 55 BPM | ||
| Trigger | Max Richter | E Minor | 1 | 9A | 95 BPM | ||
| Followed | Daniel Lopatin | A♭ Major | 2 | 4B | 85 BPM | ||
| Wronged | Guillermo Martorell | G Minor | 1 | 6A | 108 BPM | ||
| Aningaaq | Steven Price | F Major | 0 | 7B | 59 BPM | ||
| The Morning After | Paul Haslinger | D♭ Minor | 0 | 12A | 108 BPM | ||
| Will She Come Back | Cliff Martinez | A Minor | 0 | 8A | 73 BPM | ||
| Force of Nature | Dan Romer | B♭ Major | 0 | 6B | 73 BPM | ||
| Smoking Area | Ruben de Gheselle | B♭ Major | 0 | 6B | 142 BPM |