Richard Addinsell, BBC Concert Orchestra's ' "Suite: Ring Round the Moon: VIII. Galop" was released on its scheduled release date, July 21, 2008. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Suite: Ring Round the Moon: VIII. Galop's duration is considered a little bit shorter than the average duration of a typical track. The song is number 22 out of 22 in British Light Music Premieres, Vol. 5 by Royal Ballet Sinfonia, BBC Concert Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Suite: Ring Round the Moon: VIII. Galop's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite: Ring Round the Moon: VIII. Galop by Richard Addinsell, BBC Concert Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | ||
| Borodin: String Quartet No. 2 in D Major: III. Notturno. Andante (Orch. Marriner) | Alexander Borodin, Sir Neville Marriner, Academy of St. Martin in the Fields, Denis Vigay, Kenneth Sillito | A Major | 1 | 11B | 93 BPM | ||
| Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
| Masques et Bergamasques, suite, Op.112: 1. Ouverture | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 69 BPM | ||
| Symphony No. 5 in C-Sharp Minor / Pt. 3: 4. Adagietto | Gustav Mahler, Chicago Symphony Orchestra, Sir Georg Solti | G Minor | 2 | 6A | 95 BPM | ||
| Serenade No. 10 in B-Flat Major, K. 361 "Gran Partita": III. Adagio | Wolfgang Amadeus Mozart, LSO Wind Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
| Violin Concerto in D Major, Op. 35: II. Romance. Andante | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | G Major | 1 | 9B | 106 BPM | ||
| Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
| O lieb so lang du lieben kannst, S. 298 | Franz Liszt, Leif Ove Andsnes | A♭ Major | 0 | 4B | 70 BPM | ||
| Shéhérazade, Op. 35: I. La mer et le bateau de Simbad | Nikolai Rimsky-Korsakov, Anima Eterna, Jos Van Immerseel, Midori Seiler | E Major | 0 | 12B | 56 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Esa-Pekka Salonen, Yefim Bronfman, Thomas Stevens, Los Angeles Philharmonic | G Minor | 1 | 6A | 137 BPM | ||
| La bohème: Quando men vo (Musetta's Waltz) | Giacomo Puccini, Andre Kostelanetz, New York Philharmonic | A Major | 2 | 11B | 109 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| Serenade to Youth | Haydn Wood, Slovak Radio Symphony Orchestra, Adrian Leaper | D Major | 1 | 10B | 121 BPM | ||
| Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
| Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
| Hungarian Rhapsody, S. 244: No. 2 in C Minor | Franz Liszt, Eugene Ormandy, Philadelphia Orchestra | C Major | 3 | 8B | 86 BPM | ||
| Delius / Arr. Fenby: Koanga, Act II: La Calinda | Frederick Delius, Sir John Barbirolli, Hallé | E Minor | 4 | 9A | 116 BPM | ||
| Fra Holbergs tid, Op. 40: II. Sarabande (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E♭ Major | 0 | 5B | 93 BPM | ||
| Nocturnes, CD 98: II. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
| Prelude: The Wispering Valley | Silvia Capova, Slovak Radio Symphony Orchestra, Ronald Binge | G Major | 1 | 9B | 143 BPM | ||
| The Admirable Crichton: Polka and Galop | Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra | D♭ Minor | 1 | 12A | 123 BPM | ||
| Concerto de Varsovie - From "Dangerous Moonlight" | Richard Addinsell | E Major | 1 | 12B | 68 BPM | ||
| 2 Aquarelles: Gaily, but not quick | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM |