Kumar Satyamm's ' "Log Raho Me Kante Bichhate Rahe" was released on its scheduled release date, December 9, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Log Raho Me Kante Bichhate Rahe and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. The popularity of Log Raho Me Kante Bichhate Rahe is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Log Raho Me Kante Bichhate Rahe by Kumar Satyamm to be Vivace (lively and fast) because the track has a tempo of 163 BPM, a half-time of 82BPM, and a double-time of 326 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Binoy Kore | Shorif Uddin | F Major | 9 | 7B | 115 BPM | ||
| Sadguru Tame Mara Taranhar | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | A♭ Major | 6 | 4B | 128 BPM | ||
| Jai Ho Jai Ho Tumhari Bajrangbali | Kanhaiya Mittal | F♯ Minor | 4 | 11A | 138 BPM | ||
| Bawal Bhail Ba | Manish Samrat | F Minor | 10 | 4A | 106 BPM | ||
| Meri Maa Ne Bulaya Hai | Kumar Satyamm, Abhay Kumar Rai, Kulldeep Sandhu | A Major | 7 | 11B | 140 BPM | ||
| Maa Yasoda Pochha Kate Kanaiyo Dathaa | Devalben Gadhvi | F Minor | 9 | 4A | 98 BPM | ||
| Hishab | Momtaz | F♯ Minor | 10 | 11A | 108 BPM | ||
| Karuna Bhari Nazar Se | Mukul Dwivedi | E♭ Minor | 7 | 2A | 98 BPM | ||
| Dj Dheladi | Nitin Barot, Kavita Das | A♭ Major | 7 | 4B | 98 BPM | ||
| He Mahakalike Mate Bhuvaneshwari | SAI BODGESHWAR | F♯ Major | 5 | 2B | 98 BPM | ||
| Sitaji Puchhe Re Laxman | PARSOTAM PARI GOSWAMI | D Major | 7 | 10B | 81 BPM | ||
| Kanku Chhanti Kankotri Mokalo | Devalben Gadhvi | E♭ Minor | 4 | 2A | 172 BPM | ||
| Bhuli To Padje | Jignasha Rabari, Dharmesh Savli | A♭ Major | 7 | 4B | 98 BPM | ||
| Chehar Maa Ni Ramel | Sanjay Nogoh | C Major | 5 | 8B | 78 BPM | ||
| Mari Dhavdi Ae Banayu Aaj Hona Thi Havayu | JK Timba | A♭ Major | 7 | 4B | 98 BPM | ||
| Dabi Bolay Jamni Na Aavu E Meldi Nu Venu Che | JK Timba, Vipul Khatana | A♭ Major | 7 | 4B | 98 BPM | ||
| God Is Formless and Is Everywhere | Veer Manpreet Singh | C Minor | 5 | 5A | 91 BPM | ||
| Duro Aaja Pauna | Nati King Kuldeep Sharma | E Major | 9 | 12B | 130 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Jogan Ban Jaon Gi Saiyan | Fareed Ayaz Abu Muhammad Qawwal | E♭ Major | 8 | 5B | 115 BPM | ||
| Radhe Bol Radhe Bol Barsane Ki Galiyon Dol | Shridhay Shri Mridul krishna shastri ji maharaj | G Minor | 8 | 6A | 95 BPM | ||
| Saiyaan Bina (Tales of Love) | Ranjeet Rajwada | C Minor | 4 | 5A | 140 BPM | ||
| Dj Gori Tu Kem Na Aavi | Nitin Barot, Kavita Das | D♭ Major | 10 | 3B | 103 BPM | ||
| Shivaji Nu Halaradu | Bhikhudan Gadhvi | B♭ Minor | 6 | 3A | 141 BPM | ||
| R1 Band New Aadivasi Timli | Dhiraj Dv | A♭ Major | 9 | 4B | 171 BPM |