Ramdas Kamat's ' "Hari Om Pranav Omkar Shiva" was released on its scheduled release date, March 31, 2006. The duration of This song is about 3 minutes long, at 3:17. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "Pranav Omkar Shiva". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Hari Om Pranav Omkar Shiva is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hari Om Pranav Omkar Shiva by Ramdas Kamat having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pail To Ge Kau Koktahe (with Commentary) | Prof.Ram Shevalkar, Lata Mangeshkar | F♯ Major | 3 | 2B | 76 BPM | ||
| Ektari Gate Guru Naam | Anuradha Paudwal | A♭ Minor | 6 | 1A | 87 BPM | ||
| Dinancha Kaiwari | Suman Kalyanpur | C Minor | 3 | 5A | 80 BPM | ||
| Preetichya Chand Raati | Hemant Kumar | D♭ Major | 1 | 3B | 69 BPM | ||
| Aaj Kuni Tari Yaave | Asha Bhosle | B Major | 2 | 1B | 62 BPM | ||
| Surat Piya Ki Na Chhin Bisaraye | Vasantrao Deshpande | G Major | 6 | 9B | 162 BPM | ||
| Samacharan Tujhe Dekhile Maya | Upendra Bhat | D♭ Minor | 9 | 12A | 105 BPM | ||
| Hangsa Pakha Diye Klanta Raater | Shyamal Mitra | B♭ Major | 4 | 6B | 127 BPM | ||
| Suhasya Tuze Manas Mohi | Jitendra Abhisheki | G Major | 4 | 9B | 84 BPM | ||
| Baalakanaagi | Rajkumar | F♯ Major | 4 | 2B | 128 BPM | ||
| Swar Tipecha | Shailesh Ranade | D Major | 5 | 10B | 154 BPM | ||
| Tumi Nirmal Karo Mangal Kare | Pannalal Bhattacharya | F Minor | 3 | 4A | 134 BPM | ||
| Raag Megh - Baadarva (Live) | Ronkini Gupta, Ashish Ragwani, Deepak Marathe | B♭ Major | 4 | 6B | 108 BPM | ||
| Daiv Kiti Avichari | Ramdas Kamat | E Major | 3 | 12B | 103 BPM | ||
| Khola Akash Ki | Sandhya Mukherjee | E Minor | 2 | 9A | 90 BPM | ||
| Dattaguruna Smara | R.N. Paradkar | D♭ Minor | 4 | 12A | 101 BPM | ||
| Too Ashi Javali Raha | Arun Date, Sudha Malhotra | A Major | 2 | 11B | 143 BPM | ||
| Aamhi Jato Apulya Gava | Manna Dey | D♭ Minor | 3 | 12A | 82 BPM | ||
| Laajun Hasane | Hridaynath Mangeshkar | D♭ Major | 4 | 3B | 147 BPM | ||
| Pail Toge Kau | Lata Mangeshkar | G Minor | 3 | 6A | 137 BPM | ||
| Malmali Tarunya Maaze | Asha Bhosle | F Major | 5 | 7B | 116 BPM | ||
| Ajuni Rusuni Ahe | Kumar Gandharva | A Minor | 5 | 8A | 79 BPM | ||
| Patit to Ka | Ramdas Kamat | F Major | 6 | 7B | 145 BPM | ||
| Chitta Nirantar | Koili Devi | A Major | 4 | 11B | 96 BPM | ||
| Dattatreya Atreya Putra | Sri Ganapathy Sachchidananda Swamiji | E♭ Minor | 6 | 2A | 198 BPM |