"Manon: Act III (scene ii) 'Quelle éloquence!'" by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos had its release date on October 3, 2003. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Manon: Act III (scene ii) 'Quelle éloquence!''s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jules Massenet, Marcelo Álvarez, Renée Fleming, The Orchestra and Chorus of the Opéra National de Paris's "Manon" album is number 18 out of 72. On top of that, United States appears to be the country where this track was created. Based on our statistics, Manon: Act III (scene ii) 'Quelle éloquence!''s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Manon: Act III (scene ii) 'Quelle éloquence!' by Jules Massenet, Renée Fleming, Marcelo Álvarez, Jesús López-Cobos to be Allegro (fast, quick, and bright) because the track has a tempo of 156 BPM, a half-time of 78BPM, and a double-time of 312 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deep River (Arr. The Kanneh-Masons for Ensemble) | Samuel Coleridge-Taylor, The Kanneh-Masons | E Major | 1 | 12B | 82 BPM | ||
| Glière: Concerto voor harp en orkest, op. 78: I Allegro moderato | Reinhold Glière, Anneleen Lenaerts, Brussels Philharmonic | E♭ Major | 1 | 5B | 89 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | ||
| Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | ||
| Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
| Massenet: Thaïs, Act 2: Méditation (Version for Violin and Piano) | Jules Massenet, Min Kym, Gordon Back | D Major | 1 | 10B | 95 BPM | ||
| Méditation de Thaïs (Arr. Cullen for Cello and Orchestra) | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | ||
| Siete Canciones Populares Españolas: VI. Nana - for alto and piano | Manuel de Falla, Tabea Zimmermann, Javier Perianes | C Major | 0 | 8B | 141 BPM | ||
| Étude No. 8: Through the Window | Marie Awadis | A Minor | 0 | 8A | 134 BPM | ||
| Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
| Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
| Cats: Memory | Andrew Lloyd Webber, Jian Wang, Göran Söllscher | D Major | 0 | 10B | 86 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
| Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Craig Ogden, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
| L'Arlésienne Suite No. 2 (Arr. Guiraud): III. Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
| Préludes, Book 1: VIII. La Fille Aux Cheveux de Lin | Claude Debussy, Anna Tsybuleva | F♯ Major | 0 | 2B | 162 BPM | ||
| Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
| Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
| Bach: Adagio (After Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
| Myfanwy (Arr. Kanneh-Mason for Solo Cello) | Sheku Kanneh-Mason | C Major | 0 | 8B | 122 BPM | ||
| Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
| Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| Nocturne No. 14 in G Major, H. 58 | John Field, Alice Sara Ott | F Major | 0 | 7B | 67 BPM | ||
| Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM |