Tom Dae's 'Just As Long As You Are Mine' had a release date set for January 1, 1969. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Tommy Dae". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. Just As Long As You Are Mine is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Just As Long As You Are Mine by Tom Dae having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miriam | Larry Lewis | E♭ Minor | 6 | 2A | 94 BPM | ||
| Fall On Me Rain | Bob Belche | B Minor | 5 | 10A | 117 BPM | ||
| Why Should It Be | Virgil Charles Mashburn | A♭ Minor | 7 | 1A | 118 BPM | ||
| In the Midnight Hour | The Rising Storm | D Minor | 8 | 7A | 140 BPM | ||
| I Just Want to Be Your Friend | The Millennium | A Minor | 5 | 8A | 127 BPM | ||
| So Deep with You | Tommy James & The Shondells | E Major | 5 | 12B | 92 BPM | ||
| I Wanna Change My Life | Snuffy | E Major | 4 | 12B | 148 BPM | ||
| Song to the Magic Frog | Sagittarius | G Major | 3 | 9B | 104 BPM | ||
| How Can I Leave Her | The Cyrkle | A Minor | 4 | 8A | 120 BPM | ||
| Love's Fatal Way | Sagittarius | B♭ Major | 5 | 6B | 115 BPM | ||
| I Knew Her Well | Sandy Harless | G Major | 4 | 9B | 72 BPM | ||
| I Wouldn’t Care | The Mystic Tide | E Major | 7 | 12B | 107 BPM | ||
| Silk N' Honey | Honey Ltd. | E Minor | 5 | 9A | 91 BPM | ||
| Roses Gone | The Ashes | G Minor | 0 | 6A | 140 BPM | ||
| Tuesday Afternoon | Sunshine Earth Band | E Major | 4 | 12B | 91 BPM | ||
| But That Was Then | G. Robert G. | G Major | 7 | 9B | 80 BPM | ||
| Here Tonight | Gene Clark | F♯ Major | 4 | 2B | 109 BPM | ||
| Don't Know Why You Bother Child | Gary Farr | F Minor | 5 | 4A | 125 BPM | ||
| American Sunset | Jack Adkins | D Minor | 4 | 7A | 84 BPM | ||
| Courtyard | Bobbie Gentry | D Major | 1 | 10B | 80 BPM | ||
| Again Again | Eternity's Children | A Minor | 5 | 8A | 75 BPM | ||
| A Puppet | The Mod 4 | E♭ Major | 4 | 5B | 128 BPM | ||
| Love You Deep Or Not At All | Frank Thomas | C Major | 4 | 8B | 52 BPM | ||
| I Ought To Stay Away From You | Margo Guryan | A♭ Major | 2 | 4B | 84 BPM | ||
| Good Morning World | Alan Munson | D Major | 2 | 10B | 76 BPM |