On April 22, 2014, the song "El M'Dahi" was released by Bachir Attar, Elliott Sharp. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. The track order of this song in Bachir Attar, Elliott Sharp's "Jajouka / New York" album is number 3 out of 12. Based on our statistics, El M'Dahi's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of El M'Dahi by Bachir Attar, Elliott Sharp to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tende I | Les Filles de Illighadad | B♭ Minor | 6 | 3A | 126 BPM | ||
| Zambaa | SONOROUS | B♭ Minor | 4 | 3A | 110 BPM | ||
| Ashkabad | Anouar Brahem | G Major | 3 | 9B | 122 BPM | ||
| Cells 12-13 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Itous | Tamikrest | D Major | 8 | 10B | 156 BPM | ||
| Fantasy On The Igil | Huun-Huur-Tu | B♭ Major | 2 | 6B | 72 BPM | ||
| Y’a Elwan | Ahmoudou Madassane | G Minor | 7 | 6A | 120 BPM | ||
| Jerusalem Knife (2) | Muslimgauze | D Major | 9 | 10B | 192 BPM | ||
| Min adh-Dhâkira | Naseer Shamma | G Minor | 2 | 6A | 91 BPM | ||
| Wassoulou | Justin Adams, Anneli Drecker | F Major | 1 | 7B | 120 BPM | ||
| Hocoka | Henri Texier | A Major | 2 | 11B | 99 BPM | ||
| Umri Ma Bansa | Abdel Gadir Salim | G Major | 2 | 9B | 81 BPM | ||
| Armenian Song | The Gurdjieff Ensemble, Levon Eskenian | A Major | 0 | 11B | 89 BPM | ||
| Never Been There | Adnan Joubran | B♭ Minor | 5 | 3A | 103 BPM | ||
| Kaf Skoon | Toufic Farroukh | D♭ Major | 7 | 3B | 101 BPM | ||
| Sahara | Rabih Abou-Khalil | A Major | 2 | 11B | 89 BPM | ||
| In My Mother's Sweet Embrace | Maya Youssef, Hamsa Mounif, Members of Opera North's Orchestra | A Minor | 3 | 8A | 80 BPM | ||
| Jale | hwer | D♭ Major | 10 | 3B | 180 BPM | ||
| Taqsîm en maqâm : Nahawand-kabîr | Munir Bashir | C Minor | 2 | 5A | 143 BPM | ||
| Comic | NLE EL DE LA COTORRA | A Minor | 10 | 8A | 130 BPM | ||
| Sahara Blues | Majid Bekkas | A♭ Major | 2 | 4B | 117 BPM | ||
| Suite folklorique: Dialogue sufi entre qanun, luth, tabla | Soliman Gamil, Troupe de la Musique Folkorique Egyptienne | D Major | 3 | 10B | 141 BPM | ||
| Maqsoum | Mahmoud Fadl | D Major | 10 | 10B | 169 BPM | ||
| Tenemos | fdgdf | B Major | 10 | 1B | 140 BPM | ||
| To The Master Hunashtar-ool | Sainkho Namtchylak | C Major | 3 | 8B | 91 BPM |