Standing Where the Changes Begin
Christina Gustafsson, Max Schultz, Erik Söderlind, Martin Hoper, Calle Rasmusson
My Move
5:02 January 1, 2009
BPM
164
Key
G Major
Camelot
9B

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Standing Where the Changes Begin by Christina Gustafsson, Max Schultz, Erik Söderlind, Martin Hoper, Calle Rasmusson Song Details

Christina Gustafsson, Max Schultz, Erik Söderlind, Martin Hoper, Calle Rasmusson's ' "Standing Where the Changes Begin" was released on its scheduled release date, January 1, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Christina Gustafsson's "My Move" album is number 5 out of 11. The popularity of Standing Where the Changes Begin is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Standing Where the Changes Begin by Christina Gustafsson, Max Schultz, Erik Söderlind, Martin Hoper, Calle Rasmusson to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.

Music Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-9.602 dB
Acousticness
39%
Danceability
51%
Energy
48%
Instrumentalness
0%
Liveness
10%
Loudness
84%
Speechiness
8%
Valence
55%

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records