On March 15, 2013, the song "Lara-Lara KareLagal" was released by Paro Rani. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The song is number 6 out of 8 in Budhwa Holi Me Dharayiel Ba by Paro Rani. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Lara-Lara KareLagal is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Lara-Lara KareLagal by Paro Rani is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kurti Jalidar Tohar Hit Maarechho | Madhav Rai | B Minor | 10 | 10A | 150 BPM | ||
| Mharo Karobar Thore Nam Su Chale | Viru Nehad | B Minor | 9 | 10A | 164 BPM | ||
| Pyar Da Vpar Karna | Kartar Ramla, Paramjit Sandhu | F Minor | 6 | 4A | 174 BPM | ||
| Dilawa Milawale Raha | Paro Rani, Geeta Rani | G Minor | 10 | 6A | 76 BPM | ||
| Prem Shikhaiya | Sharif Uddin | C Major | 9 | 8B | 186 BPM | ||
| Sunna Ho Geya Ang Ang | Bagga Safri | D♭ Minor | 9 | 12A | 91 BPM | ||
| Bemukh Hoi Ajna Ton | Davinder Kohinoor | E♭ Major | 7 | 5B | 136 BPM | ||
| Deenanath | Sourabh Sharma | C Minor | 6 | 5A | 151 BPM | ||
| Yedamay Jiv Ki Prann | Akash Shinde | D♭ Major | 10 | 3B | 130 BPM | ||
| Rang De Ve Chandi Maa Da Chola (Chandi Mata Bhajan) Dogri Bhajan | Karan Sharma | D Major | 9 | 10B | 102 BPM | ||
| Dekhi Na Tu Hasdi | Kartar Ramla, Manjeet Kaur | B Major | 8 | 1B | 175 BPM | ||
| Khau Rasgula Jilebi KI | Rambabu Jha | F♯ Major | 10 | 2B | 101 BPM | ||
| Jaga Bhor Bhayil Mai | Pawan Singh | F Major | 9 | 7B | 88 BPM | ||
| Hamato Hila Hila Ke Hari | Jaysingh raja, jyoti Kushvah | F♯ Major | 8 | 2B | 132 BPM | ||
| Dijo Kanha Ne Sandesh Kyu Ni Aayo Re | Gokul Sharma | E Major | 9 | 12B | 80 BPM | ||
| Supne Ch Pain Japhiya | Amrik Toofan, Harjit Mattu | D♭ Major | 9 | 3B | 138 BPM | ||
| Panth Rahuga Tera | Major Rajasthani | F♯ Major | 7 | 2B | 91 BPM | ||
| Chadahal Jawanee Hum Dekhayeb Ho | Paro Rani | A Minor | 9 | 8A | 175 BPM | ||
| Ame Gulap Phul Dekhale Dhana Re | Old Sambalpuri | D Minor | 8 | 7A | 163 BPM | ||
| Kati Kate Na Suni Ratiya | JaiSingh Raja, Rani Kushwaha | F♯ Minor | 3 | 11A | 129 BPM | ||
| A Gulabo Bai | Diwakar Dwivedi | A♭ Major | 4 | 4B | 84 BPM | ||
| Lohrhi Hor Mana Geya | Sajan Firozpuri, Preeto Uk | B♭ Minor | 9 | 3A | 101 BPM | ||
| Wo Mere Rubaru Hai | Tasneem Arif | B♭ Minor | 9 | 3A | 107 BPM | ||
| कुमारिया री बेटी रुडी ने रूपाली | Bheru Puri Sopura | C Major | 10 | 8B | 87 BPM | ||
| Geharee Geharee Birakha | Prakash Mali | A♭ Major | 7 | 4B | 90 BPM |