John Rae's 'We Will Never Meet Again' had a release date set for March 16, 2021. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Where the Wild Clematis Grow by John Rae. The song's track number on the album is #3 out of 6 tracks. We Will Never Meet Again is average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since We Will Never Meet Again by John Rae has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With We Will Never Meet Again being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ocean of Calm | Jamie Torren | F Major | 1 | 7B | 135 BPM | ||
| Lonely as a Cloud | South North | A♭ Major | 2 | 4B | 73 BPM | ||
| I´m Getting Sentimental Over You | The Collective | C Major | 1 | 8B | 112 BPM | ||
| Rise Again | Kevin Waters Group | F♯ Major | 6 | 2B | 133 BPM | ||
| Shadow Play | Glass Trio | C Minor | 2 | 5A | 81 BPM | ||
| Clear Sight | Midtown Trio | B♭ Major | 1 | 6B | 78 BPM | ||
| After Dark | Benjamin Harrison | C Minor | 1 | 5A | 110 BPM | ||
| The Great Ennui | Tadd Norman | E♭ Major | 2 | 5B | 116 BPM | ||
| Numerous Occasions | Ben Lively | A♭ Major | 2 | 4B | 118 BPM | ||
| Stars Fell on Alabama | Laurie Sharon Quartet | C Major | 1 | 8B | 86 BPM | ||
| It's You I Like | Mason Embry Trio | G Minor | 2 | 6A | 107 BPM | ||
| All the Stars | Franklin Trio | B Major | 1 | 1B | 86 BPM | ||
| Here's That Rainy Day | Danny Grissett | G Minor | 1 | 6A | 126 BPM | ||
| Suzy | Ben Wilcock, John Rae | G Minor | 2 | 6A | 162 BPM | ||
| If you could see me now | Astoria Three | A♭ Major | 1 | 4B | 114 BPM | ||
| Pour It Out | Matt Marantz Quartet | C Minor | 2 | 5A | 101 BPM | ||
| De Tor Ahead | Rob Van Bavel | D Minor | 2 | 7A | 78 BPM | ||
| Skylark | David Fitzpatrick Trio | F Minor | 1 | 4A | 137 BPM | ||
| Shiny Stockings | Rachel Silver | G Major | 2 | 9B | 102 BPM | ||
| After You've Gone | Magpie Jazz Trio | D Minor | 1 | 7A | 60 BPM | ||
| I´m Old Fashioned | Andreas Gidlund | C Major | 2 | 8B | 75 BPM | ||
| Trouble In Paris | Kristian Hart Trio | C Minor | 2 | 5A | 101 BPM | ||
| There Goes My Heart | Baxter Williams | B♭ Major | 2 | 6B | 113 BPM | ||
| Everytime around | Vernon Sanders | F Minor | 1 | 4A | 105 BPM | ||
| Désespérés | Vernon Sanders | A♭ Major | 1 | 4B | 88 BPM |