"Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció)" by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall had its release date on January 1, 2004. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 25 in El Cant De La Sibil-La: Mallorca / València, 1400-1560 by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sibil-La Mallorquina: Aprés Se Badarà Molt Fort R/ (Monastère Des Nonnes De La Concepció) by La Capella Reial De Catalunya, Montserrat Figueras, Jordi Savall is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chansons (arr. for voice and chamber ensemble): Resvelons nous | Guillaume Dufay, Bernhard Landauer, Unicorn Ensemble, Michael Posch | A Minor | 1 | 8A | 134 BPM | ||
| Pavana Con Su Glosa | Antonio de Cabezón, Hespèrion XXI, Jordi Savall | C Major | 1 | 8B | 117 BPM | ||
| Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
| Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
| Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
| Sarabande A L'Espagnol | Marin Marais, Jordi Savall | E Minor | 0 | 9A | 88 BPM | ||
| Canticum canticorum I | Ars Poliphonica | G Major | 0 | 9B | 77 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Aria di Cantar Sestine: A Qualunque Animale | Stefano Landi, Musica Sequenza, BURAK, Diana Ramirez | A Major | 2 | 11B | 83 BPM | ||
| Le Badinage - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Jordi Savall | F Minor | 0 | 4A | 96 BPM | ||
| Byzantine Liturgy: Dostoino est (It is worthy), For male choir | Traditional, Chamber Choir, Lege Artis | A Major | 1 | 11B | 130 BPM | ||
| Strozzi: L’amante consolato | Barbara Strozzi, Christina Pluhar, L'Arpeggiata, Benedetta Mazzucato | C Major | 2 | 8B | 118 BPM | ||
| Ballo Volgendo Il Ciel Movete Al Mio Bel Suon - Ciaccona | Montserrat Figueras, Claudio Monteverdi, Jordi Savall | G Major | 1 | 9B | 101 BPM | ||
| Lachrimæ Gementes | John Dowland, Les Voix Humaines, Nigel North | G Major | 1 | 9B | 81 BPM | ||
| L'Arabesque - 4ème livre de Pièces de viole (Marin Marais) | Marin Marais, Rolf Lislevand, Pierre Hantaï, Jordi Savall | E Major | 1 | 12B | 102 BPM | ||
| Schiarazula Marazula (from ll primo libro de balli accomodati per cantar et sonar d'ogni sorte de instromenti) | Giorgio Mainerio, Dorothee Oberlinger | G Minor | 0 | 6A | 81 BPM | ||
| Consonancias de 1º Tom | Pedro de Araújo, Jordi Savall | C Major | 2 | 8B | 97 BPM | ||
| Par mantes foys | Jehan Vaillant, La Reverdie | A Minor | 1 | 8A | 121 BPM | ||
| Kaiserrequiem: VII. Communio (Lux aeterna) | Johann Joseph Fux, Vox Luminis, Lionel Meunier, Scorpio Collectif | C Minor | 1 | 5A | 67 BPM | ||
| Chosì pensoso | Francesco Landini, La Reverdie | D Minor | 1 | 7A | 81 BPM | ||
| A Worcester Ladymass: Agnus Dei | Traditional, Trio Mediæval | A Minor | 0 | 8A | 80 BPM | ||
| Folia: Para Quien Crié Cabellos, 1557 (De Cabezón) | Antonio de Cabezón, Traditional, Jordi Savall | G Minor | 2 | 6A | 106 BPM | ||
| Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
| Quemadmodum A 6 (Taverner) | John Taverner, Traditional, Jordi Savall | D Minor | 0 | 7A | 96 BPM | ||
| Messe vidi turbam magnam: No. 3, Gloria | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 100 BPM |