Joseph Pecoraro's ' "Blue Ridge Suite: Alan Hirsh: Waves" was released on its scheduled release date, January 20, 2004. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Reflections". In this album, this song's track order is #6. Based on our statistics, Blue Ridge Suite: Alan Hirsh: Waves's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Blue Ridge Suite: Alan Hirsh: Waves by Joseph Pecoraro having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Melancolía | Luis Sierra | E Major | 1 | 12B | 96 BPM | ||
| Preludio, Op. 5: I. Preludio in G Minor | Agustín Barrios Mangoré, Marco Caiazza | G Minor | 2 | 6A | 83 BPM | ||
| Noon | Rick Alexander | D♭ Minor | 1 | 12A | 83 BPM | ||
| Mysterious Forest (Suikoden) | Miki Higashino, John Oeth | G Major | 2 | 9B | 127 BPM | ||
| Sonatina: F. Moreno-Torroba: Andante | Joseph Pecoraro | D Major | 2 | 10B | 104 BPM | ||
| Green and Golden | Javier Miño | E Major | 2 | 12B | 105 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Guitar by Tristan Manoukian) | Maurice Ravel, Steve Cowan | E Minor | 0 | 9A | 94 BPM | ||
| Suite del Plata No. 1: I. Prelude | Maximo Deigo Pujol, Nick Cutroneo | C Major | 1 | 8B | 140 BPM | ||
| Lute Suite No. 3 in A Minor, BWV 995: II. Allemande (Arr. for Guitar) | Robert Secrist | D Major | 1 | 10B | 117 BPM | ||
| Cancione | Mateo Selva | A Minor | 1 | 8A | 94 BPM | ||
| Danzarina | Javi de la Torre | F♯ Minor | 1 | 11A | 98 BPM | ||
| Andante No. 12 in B Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | B♭ Minor | 0 | 3A | 119 BPM | ||
| Lush Life (arr. for 2 guitars by John W Duarte) | Francisco Correa, Daniela Rossi | G Major | 0 | 9B | 133 BPM | ||
| For the Grace of God | Bill Russell | D Major | 2 | 10B | 203 BPM | ||
| I Tema de juventud (de Suite de Valencia) | Antonio Chover Salom, Carlos Blanco Ruiz | D Major | 2 | 10B | 94 BPM | ||
| Borrowed Evenings | Dan Jurator | E Minor | 2 | 9A | 79 BPM | ||
| Guitar Sonata in A Major, Op. 29, No. 2: III. Minuetto: Quasi scherzo (arr. J. Bream for guitar) | Anton Diabelli, Park Kyuhee | E Major | 0 | 12B | 130 BPM | ||
| Suite del recuerdo: Jose Luis Merlin: Chacarera | Joseph Pecoraro | E Minor | 4 | 9A | 158 BPM | ||
| Before Silence | Per-Olov Kindgren | G Major | 1 | 9B | 90 BPM | ||
| Cinq préludes, W 419: No. 1, Homenagem ao Sertanejo brasileiro | Heitor Villa-Lobos, Giulia Ballaré | C Major | 1 | 8B | 104 BPM | ||
| The Rain Outside the Window | Tao Huang, Xianji Liu | G Major | 1 | 9B | 147 BPM | ||
| Preludios Epigramáticos: No. 4, Rié, que todo rié. que todo es madre lev | Leo Brouwer, Gerard Cousins | F♯ Minor | 1 | 11A | 98 BPM | ||
| Aria à deux No. 2 | Francis Kleynjans, Duo Bergerac | E Minor | 1 | 9A | 119 BPM | ||
| Kinderszenen, Op. 15 (Arr. for Guitar by Johan Smith): VII. Träumerei | Robert Schumann, Johan Smith | D Major | 0 | 10B | 137 BPM | ||
| Schubert: Schwanengesang, D. 957: No. 4, Ständchen | Danny Yeh | A Major | 1 | 11B | 63 BPM |