Jesse Kramer's ' "Hold On, I’m Coming - The Four Performance" was released on its scheduled release date, June 28, 2018. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Hold On, I’m Coming - The Four Performance's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Hold On, I’m Coming (The Four Performance) and no other songs are present in the album, we classify this track as a single. On top of that, United States appears to be the country where this track was created. The popularity of Hold On, I’m Coming - The Four Performance is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Hold On, I’m Coming - The Four Performance by Jesse Kramer to be Prestissimo (even faster than presto) because the track has a tempo of 210 BPM, a half-time of 105BPM, and a double-time of 420 BPM. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pillowtalk - Acoustic Version | John Lundvik | F Major | 4 | 7B | 125 BPM | ||
| Here Without You | 3 Doors Down | B♭ Minor | 5 | 3A | 144 BPM | ||
| Writing's On The Wall - The Four Performance | James Graham | F Minor | 5 | 4A | 128 BPM | ||
| We Gotta Get Away (Radio Edit) | For the Bullets | D Minor | 4 | 7A | 120 BPM | ||
| We Won't Move - Acoustic | Arlissa | C Minor | 4 | 5A | 145 BPM | ||
| Come Join the Murder - From Sons of Anarchy | The White Buffalo, The Forest Rangers | F Major | 4 | 7B | 124 BPM | ||
| Where You Come From - The Voice Performance | Britton Buchanan | D♭ Major | 3 | 3B | 128 BPM | ||
| Sirens | Brother Joe | B♭ Major | 5 | 6B | 109 BPM | ||
| Be Your Man - Acoustic | Rhys Lewis | A Minor | 2 | 8A | 80 BPM | ||
| Arms Of A Woman - From The Voice Unplugged @ 538 | Mitchell Brunings | A Major | 1 | 11B | 147 BPM | ||
| Love You Any Less | Rag'n'Bone Man | E Minor | 3 | 9A | 61 BPM | ||
| Until Heaven | Mikhail Bennett, Spalexma | D♭ Major | 3 | 3B | 159 BPM | ||
| Superman - The Voice Performance | Cam Tapp | D♭ Major | 6 | 3B | 109 BPM | ||
| Crash This Train | Joshua James | D♭ Major | 5 | 3B | 138 BPM | ||
| Who Am I Now | Matt Gresham | C Major | 7 | 8B | 156 BPM | ||
| Tell Me When It's Over | Huntley | E Minor | 7 | 9A | 142 BPM | ||
| Don't Save Me | Josh Krajcik | C Major | 3 | 8B | 181 BPM | ||
| The Thrill Is Gone | Michael Lee | B♭ Minor | 7 | 3A | 77 BPM | ||
| What a Wonderful World - From "Sons of Anarchy" | Alison Mosshart, The Forest Rangers | C Major | 4 | 8B | 72 BPM | ||
| As You Are | Daughtry | B Major | 6 | 1B | 145 BPM | ||
| Midnight Alchemy | Everflyte | D♭ Major | 3 | 3B | 159 BPM | ||
| If I Ain’t Got You - The Voice Performance | Lauren Diaz | G Major | 7 | 9B | 110 BPM | ||
| Hurt | Chase Goehring | B Major | 8 | 1B | 143 BPM | ||
| Like A Soldier | Roan Ash | C Major | 3 | 8B | 152 BPM | ||
| Jolene - The Voice Performance | Brendan Fletcher | G Major | 4 | 9B | 182 BPM |