"Les Extrêmes Se Touchent" by Roderik de Man, Duo Verso had its release date on May 27, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 17 in the song's album "Present & Past Tracks". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Netherlands. Les Extrêmes Se Touchent is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Extrêmes Se Touchent by Roderik de Man, Duo Verso having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nik Baditut Bortuetan | Sylvain Luc | E Minor | 0 | 9A | 76 BPM | ||
| Tranquil Tides Blues | Mystique Melody | F Major | 2 | 7B | 90 BPM | ||
| Coffee Club | Aoife Ní Bhriain, Cormac McCarthy | D Major | 2 | 10B | 83 BPM | ||
| Xarmegaria | Sylvain Luc | D Major | 4 | 10B | 112 BPM | ||
| Elegy for piano in A flat major, WWV 93 | Pablo Menéndez | E Minor | 0 | 9A | 100 BPM | ||
| Pater Noster | Trygve Seim, Andreas Utnem | E♭ Major | 0 | 5B | 127 BPM | ||
| Il treno | Joe Pisto, Fausto Beccalossi | E Major | 1 | 12B | 97 BPM | ||
| Fusion Flow | Max Kochetov Quartet, Katarina Kochetova, Hugo Löf, Miloš Grbatinić, Alex Sipiagin | B Minor | 2 | 10A | 91 BPM | ||
| Avventura, Pt. II | Roderik de Man, Michael Bonaventure | D♭ Major | 2 | 3B | 137 BPM | ||
| Huellas del sentir | Marco Mezquida, Chicuelo, Paco de Mode | C Major | 1 | 8B | 82 BPM | ||
| Luft/Air | Søren Bebe Trio, Marc Johnson, Søren Bebe, Anders Mogensen | F♯ Major | 0 | 2B | 84 BPM | ||
| Of All Places | The Keys to the Sub, Albert Beger, Asaf Finkelstein, Adam Ben Ezra | D♭ Major | 1 | 3B | 98 BPM | ||
| Garoto | Carlos Barbosa-Lima, Sharon Isbin | A Minor | 3 | 8A | 89 BPM | ||
| Bass Interlude | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | A Major | 0 | 11B | 108 BPM | ||
| Préludes, Book 1, L. 117 (Excerpts): No. 7, Ce qu'a vu le vent d'ouest | Claude Debussy, Jorge Federico Osorio | G Major | 2 | 9B | 92 BPM | ||
| Gomme | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | D Major | 7 | 10B | 117 BPM | ||
| Flute Sonata in A Minor, HWV 362: I. Larghetto | George Frideric Handel, Lorenzo D'Antò, Michele Di Filippo, Duo Astra | B Minor | 2 | 10A | 91 BPM | ||
| Gramvousa for Flute, Bass Clarinet, Piano and Tape | Roderik de Man, Moscow Contemporary Music Ensemble | E Major | 3 | 12B | 81 BPM | ||
| Tree Rings | David Tarrodi | B♭ Major | 1 | 6B | 131 BPM | ||
| Maré de Sizígia | Matheus Araujo, The Unpredictable | D Minor | 0 | 7A | 79 BPM | ||
| Libreville | David Gilmore, Cecil Alexander | B Minor | 2 | 10A | 91 BPM | ||
| Mol Allena | Christian Spering | G Major | 0 | 9B | 151 BPM | ||
| Kaiseki: Pt. 2, — | Roderik de Man, Black Pencil | F Major | 5 | 7B | 94 BPM | ||
| Syracuse | Henri Salvador, Émilie Fend | D Major | 0 | 10B | 73 BPM | ||
| Hamza | Kevin Seddiki | E Minor | 2 | 9A | 92 BPM |