Raghuram Dudhrejiya's ' "Pela Pela Jug Ma Rani" was released on its scheduled release date, January 6, 2003. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Rathod, Raghuram Dudhrejiya's "Janani Re Jiyo Gopichand Ni" album is number 3 out of 6. On top of that, India appears to be the country where this track was created. Based on our statistics, Pela Pela Jug Ma Rani's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Pela Pela Jug Ma Rani by Raghuram Dudhrejiya to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Om Shri Shyam Devay Namaha | Lakhbir Singh Lakkha | A♭ Major | 7 | 4B | 80 BPM | ||
| Eadha Rani Ka Naam | Baba Rasika Pagal | E♭ Major | 7 | 5B | 175 BPM | ||
| Mere Dil Ko Chura Ke Le Gaya | Baba Rasika Pagal | A Major | 9 | 11B | 135 BPM | ||
| Teri Banki Aada Ne O Sanware | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Toral Samjave Jadeja Ne | Rekha Rathod, Raghuram Dudhrejiya | B♭ Minor | 6 | 3A | 168 BPM | ||
| Jahoon Bazar Mithai Lahoon | Kuleshwar Tamrakar, Rajani Rajak | E♭ Major | 6 | 5B | 87 BPM | ||
| Eva Gyani Guru Madiya | Raghuram Dudhrejiya | G Major | 7 | 9B | 146 BPM | ||
| Bhaji Lene Narayan Nu Nam | NARAYANSWAMI | F Major | 4 | 7B | 143 BPM | ||
| Parvati Ke Pyare Mere Bhole Baba | Kishan Bhagat | F Major | 9 | 7B | 125 BPM | ||
| Ankhiya Me Bhar Ke Asarwa | Bharat Sharma | B♭ Major | 7 | 6B | 145 BPM | ||
| Ranuja Sehar Ma Nobat Vage | Raghuram Dudhrejiya | C Minor | 7 | 5A | 96 BPM | ||
| Kaise Jiyu Mein Radha Rani Tere Bina | Poonam Didi | F♯ Major | 8 | 2B | 115 BPM | ||
| Maja Barsat Ka Chaho | Vinod Agarwal | F♯ Major | 7 | 2B | 92 BPM | ||
| Dhan Guru Data Mara | Raghuram Dudhrejiya | A♭ Major | 9 | 4B | 91 BPM | ||
| Teri Shaadi Pe Nikla Janaza | Attaullah Khan | D♭ Major | 6 | 3B | 99 BPM | ||
| Mane Sawara Roop Dikha De | Moinuddin Manchala, Prakash Mali | E Major | 10 | 12B | 111 BPM | ||
| Sita Ram Hanuman Sita Ram Hanuman | RJ Shivam | A♭ Major | 10 | 4B | 85 BPM | ||
| Itna Mein Chahu Tujhe Koi Kisi Ko Na Chahe | Sanjeev Raghav | E♭ Minor | 7 | 2A | 76 BPM | ||
| Hare Rama Hare Krishna Hit Harikirtan Bhajan | Kumar Arjun | B♭ Minor | 9 | 3A | 70 BPM | ||
| Holi Ka Tyohaar Hai Aaya | Gyanendra Sharma, Ravi Sharma | C Major | 9 | 8B | 135 BPM | ||
| Raja Mordhwaj Ki Mahima, Pt. 1 | Ramniwas Rao | C Major | 5 | 8B | 145 BPM | ||
| Ruat Aai Bole Mira Re | Moinuddin Manchala, Prakash Mali | E♭ Major | 7 | 5B | 95 BPM | ||
| Mhe To Lulta Lulta Aaungi | Gopal Bajaj | B♭ Major | 9 | 6B | 81 BPM | ||
| Ladli Pyari Kabahu Meri Taap Har Ke Jaiyo | Hita Ambrish | F♯ Minor | 7 | 11A | 126 BPM | ||
| guga ji ki paidi | Ashu Verma | E♭ Major | 6 | 5B | 103 BPM |