Audinity's 'The Japanese Cometh' had a release date set for April 4, 2025. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. The Japanese Cometh's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Audinity, Paradox Interactive's "Hearts of Iron IV - Graveyard of Empires (Original Game Soundtrack)" album is number 3 out of 8. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, The Japanese Cometh's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Japanese Cometh by Audinity to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Town Atmosphere 16 | Adam Sporka, Jan Valta | C Major | 4 | 8B | 114 BPM | ||
| Get Ye Sum | Stephen Rippy, Kevin McMullan | C Major | 2 | 8B | 100 BPM | ||
| Summer Crush | Audinity | D Major | 1 | 10B | 83 BPM | ||
| Antonius Atropatene Vincit | Simon Ravn | C Major | 5 | 8B | 141 BPM | ||
| Of Storms and Half-light - Remastered | Daniel Ran | B Minor | 1 | 10A | 75 BPM | ||
| The Siege | Jonatan Järpehag | E Major | 2 | 12B | 72 BPM | ||
| The Battle at Bunker Hill | Richard Birdsall | A♭ Major | 5 | 4B | 84 BPM | ||
| Felonious Junk | Stephen Rippy, Kevin McMullan | C Minor | 2 | 5A | 120 BPM | ||
| Travel Nord - Mount and Blade Original Video Game Soundtrack | Jesse Hopkins | F♯ Minor | 0 | 11A | 95 BPM | ||
| The Siege of Carthage | Ian Livingstone | C Minor | 2 | 5A | 61 BPM | ||
| Rising Tension | Philip Wareborn | D Major | 2 | 10B | 150 BPM | ||
| Where the Dragon Rises | Philip Wareborn | C Major | 3 | 8B | 101 BPM | ||
| Charge Of The Knights | Andreas Waldetoft, Paradox Interactive, Nina Åkerblom Nielsen | D Minor | 4 | 7A | 99 BPM | ||
| Crusaders | Behruz Nuriyev, Khan Ro | G Major | 5 | 9B | 74 BPM | ||
| Conquered Lands | Arnaud Roy | B Minor | 1 | 10A | 99 BPM | ||
| The Voice Of The People | Michael Allen | D Major | 2 | 10B | 116 BPM | ||
| Blitzkrieg | Company of Heroes, Cris Velasco | G Major | 4 | 9B | 150 BPM | ||
| Deus Ora Movet | Arnaud Roy | F Major | 3 | 7B | 116 BPM | ||
| Baghdad Nightlife | Audinity | C Minor | 5 | 5A | 130 BPM | ||
| Virgin Territory | Robert L. Euvino | E Major | 0 | 12B | 69 BPM | ||
| Foundations | Elben Schutte | D Minor | 0 | 7A | 74 BPM | ||
| Town Atmosphere 19 | Adam Sporka, Jan Valta | C Minor | 2 | 5A | 137 BPM | ||
| Departing Clouds | Audiokraft | A Major | 0 | 11B | 92 BPM | ||
| The Forgotten City | Michael Allen | D Major | 2 | 10B | 116 BPM | ||
| Trader Of Hope | Magnus Ringblom | C Major | 2 | 8B | 141 BPM |