Graham Fitkin, Nicolas Prost's 'Hard Fairy' had a release date set for 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Art of the Saxophone: Nicolas Prost". In this album, this song's track order is #2. Based on our statistics, Hard Fairy's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hard Fairy by Graham Fitkin, Nicolas Prost having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hymns, Prayers and Rituals, 3th Series: XII. The Story of Resurrection of Christ | G. I. Gurdjieff, Thomas de Hartmann, Mario Sollazzo | A Minor | 0 | 8A | 135 BPM | ||
| Xàfec de Llum I Tenebres: I. Como Lluvia Fina | Ramón Paus, Orquestra De Cambra Catalana, Joan Pàmies | D♭ Major | 0 | 3B | 79 BPM | ||
| Minipulsars, Pt. 2: Bing 4 | Tomasz Trzcinski | D Minor | 3 | 7A | 82 BPM | ||
| Dark/Light 2 | Meredith Monk | F Minor | 0 | 4A | 166 BPM | ||
| Etude No. 5 | Philip Glass, Maki Namekawa | F Minor | 0 | 4A | 169 BPM | ||
| Arcadiana: VI. O Albion | Thomas Adès, Calder Quartet | E♭ Major | 0 | 5B | 78 BPM | ||
| 1934: Grandmother and Kimitake | Philip Glass, Maki Namekawa | A Major | 1 | 11B | 134 BPM | ||
| Cotton | Clem Leek | G Major | 0 | 9B | 83 BPM | ||
| Twittering (from Játékok / Book 1) - Grand Piano | Víkingur Ólafsson, Halla Oddný Magnúsdóttir | D Minor | 0 | 7A | 77 BPM | ||
| Runner: IV. Eighths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Minor | 2 | 1A | 89 BPM | ||
| Der Bote | Valentin Silvestrov, Alexei Lubimov | C Minor | 0 | 5A | 70 BPM | ||
| Music for Ensemble and Orchestra: II. Eighths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 0 | 9A | 141 BPM | ||
| Pari intervallo (Transc. Osokins for Piano) | Georgijs Osokins, Arvo Pärt | F♯ Minor | 3 | 11A | 125 BPM | ||
| P. | Sylvain Chauveau | B♭ Major | 0 | 6B | 87 BPM | ||
| Diagram and Projection: III. The Bells of St. Petersburg | Alessio Santolini Raggi | E Minor | 0 | 9A | 141 BPM | ||
| Orphée - Arr. for Piano duet / Act 2: V. Le voyage aux enfers | Philip Glass, Katia Labèque, Marielle Labèque | B♭ Major | 3 | 6B | 134 BPM | ||
| 17 - 25 | Cello Octet Amsterdam | F Major | 0 | 7B | 127 BPM | ||
| Music for 18 Musicians: Section IIIA | Steve Reich, Colin Currie, Colin Currie Group, Synergy Vocals | A Major | 2 | 11B | 100 BPM | ||
| Soft Steps to Sleep | Dustin Tomas | E Minor | 0 | 9A | 141 BPM | ||
| 4 Memento Mori: I | Marcus Paus, Joachim Kwetzinsky | D♭ Major | 4 | 3B | 140 BPM | ||
| 12 Nocturnes: No. 1, Mignon - und die Sonne geht unter | Bent Sørensen, Katrine Gislinge | E Minor | 0 | 9A | 141 BPM | ||
| Abschied, S. 251 | Franz Liszt, Alexei Lubimov | A Minor | 0 | 8A | 77 BPM | ||
| Triadic Memories: I | Morton Feldman, Helena Basilova | A♭ Major | 0 | 4B | 160 BPM | ||
| Játékok / 5.: 14. Preludium és Korál | György Kurtág | B Major | 0 | 1B | 76 BPM |