"Sonata for Cello & Piano: III. Con Moto" by Ralph Shapey, Joel Krosnick, Gilbert Kalish, Joel Smirnoff, Lisa Saffer, William Trigg had its release date on July 29, 2008. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Ralph Shapey: Songs of Life". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Based on our statistics, Sonata for Cello & Piano: III. Con Moto's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata for Cello & Piano: III. Con Moto by Ralph Shapey, Joel Krosnick, Gilbert Kalish, Joel Smirnoff, Lisa Saffer, William Trigg having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mutations No. 2: I. Majestic Passion | Ralph Shapey, David Holzman | D♭ Major | 0 | 3B | 99 BPM | ||
| The Cat and the Moon: That is a soul lost... | Thomas Putsché, Elsa Charlston, Thomas MacBone, Ralph Shapey | G Major | 0 | 9B | 115 BPM | ||
| Symphony No. 3: I. Introduzione (Andante con moto) — Allegro con moto | Allan Pettersson, Christian Lindberg, Norrköping Symphony Orchestra | B♭ Major | 0 | 6B | 99 BPM | ||
| Multi-Music Canada for Orchestra: I. Genesis - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Fromm Variations (31 Variations For Piano): Variation XXI | Ralph Shapey, Robert Black | B Major | 0 | 1B | 206 BPM | ||
| Schoenberg: 3 Piano Pieces, Op. 11: No. 2 Mässige Achtel (Arr. Busoni) | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 97 BPM | ||
| Rhythm Studies: II. A Bit Drunk | Brecht Valckenaers | B♭ Major | 0 | 6B | 99 BPM | ||
| The Cat and the Moon: I see it all now... | Thomas Putsché, Thomas MacBone, James Mack, Ralph Shapey | G Major | 0 | 9B | 115 BPM | ||
| Evocation - with tenderness | Paul Zukofsky, Ralph Shapey, Raymond Desroches, Gilbert Kalish | A Major | 0 | 11B | 87 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| 24 Preludes & Fugues, Op. 87: No. 2b, Fugue in A Minor | Dmitri Shostakovich, Sofia Sacco | D Minor | 2 | 7A | 122 BPM | ||
| 12 Nocturnes: No. 5, In den Morgen tanzen | Bent Sørensen, Katrine Gislinge | B♭ Major | 0 | 6B | 99 BPM | ||
| Progess Back | Money Wheels | B♭ Major | 1 | 6B | 210 BPM | ||
| Three Piano Pieces, Op. 11: Massig | Arnold Schoenberg, Paul Jacobs | A Major | 0 | 11B | 144 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | D♭ Major | 3 | 3B | 89 BPM | ||
| Piano Concerto No. 1, Op. 45: II. Andante (ma rubato) | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | D♭ Major | 0 | 3B | 104 BPM | ||
| Spazi Vuoti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
| String Quartet No. 5, H. 268: I. Allegro ma non troppo | Bohuslav Martinů, Pavel Haas Quartet | F Major | 2 | 7B | 103 BPM | ||
| The Perilous Night: I. Crotchet = 176 | John Cage, Marc-André Hamelin | F♯ Major | 0 | 2B | 66 BPM | ||
| Pari intervallo | Arvo Pärt, Iveta Apkalna | B♭ Major | 0 | 6B | 99 BPM | ||
| Seven Nuggets: VII. Lapis, with Gold Crystals | Peter Scott Lewis, Blair McMillen | G Major | 1 | 9B | 93 BPM | ||
| Fromm Variations (31 Variations For Piano): Variation XIX | Ralph Shapey, Robert Black | C Major | 0 | 8B | 85 BPM | ||
| Minipulsars, Pt. 1: Bing 1 | Tomasz Trzcinski | F Minor | 3 | 4A | 77 BPM |