Richard Heuberger, Iain Sutherland Concert Orchestra, Iain Sutherland's ' "Der Opernball" was released on its scheduled release date, May 27, 2014. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "Orient Express - 20 Light Classics". In this album, this song's track order is #18. Furthermore, we believe that the track originated from United States. Based on our statistics, Der Opernball's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Der Opernball by Richard Heuberger, Iain Sutherland Concert Orchestra, Iain Sutherland having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Thais: Thais, Act II: Meditation | Camerata Transylvanica, Janos Selmeczi, Jules Massenet, Louis Gallet | E Minor | 1 | 9A | 121 BPM | ||
| Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Daniel Barenboim, Cecilia Bartoli, Berliner Philharmoniker | B♭ Major | 2 | 6B | 110 BPM | ||
| Jacques Offenbach: Les contes d'Hoffmann - Bacarolle | Jacques Offenbach, Orchestre national des Pays de la Loire, Hubert Soudant, David Grimal | D Major | 0 | 10B | 132 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
| Serenade for String Orchestra, Op. 46: Cavatina. Lento cantabile | Hans Gál, Nina Karmon, Oliver Triendl, Sinfonietta Riga, Normunds Šnē | D Major | 1 | 10B | 86 BPM | ||
| Nocturne Op. 9, No. 2 (Frederic Chopin) | Drew Tretick | B♭ Major | 2 | 6B | 111 BPM | ||
| Der Opernball, Op. 40: Geh'n wir ins Chambre séparée (Arr. F. Kreisler for Violin & Piano) | Richard Heuberger, Fritz Kreisler, Michael Raucheisen | C Major | 3 | 8B | 78 BPM | ||
| Der Opernball: Overture | Richard Heuberger, Sydney Symphony Orchestra, Patrick Thomas | G Major | 1 | 9B | 86 BPM | ||
| Bauern-Polka | Johann Strauss Orchester | G Major | 3 | 9B | 99 BPM | ||
| Der Opernball, Act II: "Chambre séparée" (Hortense, Henri) | Richard Heuberger, Jiřina Marková, Miroslav Kopp, Prague Smetana Theatre Orchestra, Miroslav Homolka | D Major | 1 | 10B | 116 BPM | ||
| Heuberger: Der Opernball: Viennese Melody, "Midnight Bells" (Andante con moto) | Richard Heuberger, Fritz Kreisler & Michael Raucheisen | C Major | 2 | 8B | 99 BPM | ||
| Sous le ponts de Paris | Die 12 Cellisten der Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
| Gianni Schicchi (Oper in 1 Akt) | Mirella Freni | A♭ Major | 2 | 4B | 174 BPM | ||
| Kinderszenen, Op. 15: No. 7, Träumerei (Arr. for Violin and Orchestra) | Robert Schumann, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 93 BPM | ||
| Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
| Elisabethan Serenade | London Festival Symphony Orchestra | F Major | 2 | 7B | 152 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Ball-Szene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
| O sole mio (Arr. P. Breiner) | Eduardo di Capua, Takako Nishizaki, Polish National Radio Symphony Orchestra, Peter Breiner | A Major | 2 | 11B | 127 BPM | ||
| Gala Sequence | Renata Tebaldi, Vienna Philharmonic, Herbert von Karajan | G Major | 2 | 9B | 93 BPM | ||
| Vocalise, Op. 34, No. 14 (Arranged for Violin & Orchestra) | Sergei Rachmaninoff, Joshua Bell, Michael Stern, Orchestra of St. Luke's | E Minor | 2 | 9A | 100 BPM | ||
| Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) | Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien | F Major | 0 | 7B | 141 BPM | ||
| Experiencias Ultrasensoriales | Sirenas Celestiales | B Minor | 1 | 10A | 121 BPM | ||
| 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste | Jean Sibelius, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 3 | 4B | 82 BPM | ||
| 歌劇「エドガール」: 第3幕への前奏曲 | Giacomo Puccini, Bratislava CSR Symphony Orchestra, Ondrej Lenard | D Major | 2 | 10B | 61 BPM |