Jim Moray's 'Big Love' had a release date set for April 9, 2012. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Skulk". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Big Love's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Big Love by Jim Moray having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Charlotte Dymond | Seth Lakeman | D Major | 3 | 10B | 110 BPM | ||
| Heather Down the Moor | Ruth Notman | G Major | 2 | 9B | 112 BPM | ||
| The House at Rosehill | Claire Hastings | C Major | 3 | 8B | 106 BPM | ||
| Til Sleep Comes Calling | Sam Kelly | E♭ Major | 3 | 5B | 125 BPM | ||
| Butter & Cheese & All | Spiers & Boden | D Major | 7 | 10B | 105 BPM | ||
| The Five of Spades | Gnoss | G Major | 4 | 9B | 176 BPM | ||
| Sledburn Fair | Jack Rutter | B♭ Major | 5 | 6B | 118 BPM | ||
| Woman of the Waterways | Ellie Gowers | F♯ Major | 2 | 2B | 93 BPM | ||
| Four Hundred Days | Last Plane Out | G Major | 5 | 9B | 83 BPM | ||
| Rosa | Niall Hanna | D Major | 4 | 10B | 93 BPM | ||
| Man in the Moon | The Full English | C Major | 2 | 8B | 175 BPM | ||
| Moving Speeches | Josienne Clarke, Ben Walker | A Major | 4 | 11B | 107 BPM | ||
| Lay Fallow | Daphne's Flight | A Minor | 8 | 8A | 132 BPM | ||
| Flora (The Lily Of The West) | Jim Moray | B♭ Major | 3 | 6B | 178 BPM | ||
| The Healths | Emily Portman, Rob Harbron | D Major | 2 | 10B | 148 BPM | ||
| Young Brian of the Sussex Wold | Ruth Notman, Sam Kelly | F♯ Major | 0 | 2B | 76 BPM | ||
| Drink Up | Kid Reverie, Sarah Wolsey | E♭ Major | 3 | 5B | 113 BPM | ||
| Lord Gregory | Jim Moray, Josienne Clarke | G Major | 3 | 9B | 112 BPM | ||
| Border Widow's Lament | Hannah Sanders & Ben Savage | F Major | 2 | 7B | 99 BPM | ||
| Staring at Stars | Salt House | B♭ Major | 4 | 6B | 154 BPM | ||
| A Little Death | Heidi Talbot | E♭ Major | 2 | 5B | 99 BPM | ||
| Kingfisher | Spell Songs, Kris Drever, Beth Porter | E Major | 5 | 12B | 128 BPM | ||
| Remember This | Lucy Mellenfield | E♭ Major | 3 | 5B | 113 BPM | ||
| Hollow Point | Chris Wood | F Major | 3 | 7B | 98 BPM | ||
| Wearing You | Bob Lind | C Major | 8 | 8B | 115 BPM |