Across the Atlantic's ' "Open Roads, Dead Ends" was released on its scheduled release date, May 5, 2015. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Across the Atlantic's "Holding on to What We Know" album is number 8 out of 11. On top of that, Turks and Caicos Islands appears to be the country where this track was created. Based on our statistics, Open Roads, Dead Ends's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Open Roads, Dead Ends by Across the Atlantic to be Allegro (fast, quick, and bright) because the track has a tempo of 155 BPM, a half-time of 78BPM, and a double-time of 310 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What You See Is What You Get | For The Win | D♭ Major | 10 | 3B | 135 BPM | ||
| Long Shot, Lost Cause | Post Season | A♭ Major | 10 | 4B | 106 BPM | ||
| Get Out | Owls In the Attic | D Major | 10 | 10B | 162 BPM | ||
| To the Moon and Back | Actions Speak Louder | D♭ Minor | 9 | 12A | 164 BPM | ||
| Character Blur | WVNDER | A♭ Major | 7 | 4B | 160 BPM | ||
| Perfect | Across the Atlantic | D♭ Major | 9 | 3B | 120 BPM | ||
| Don't Waste Your Breath | Close to Home | C Minor | 10 | 5A | 124 BPM | ||
| Running In Circles | A Skylit Drive | B Major | 10 | 1B | 76 BPM | ||
| Pit Warrior | Sunrise Skater Kids, Dave Stephens | D Major | 10 | 10B | 170 BPM | ||
| Party Foul | The Spacepimps | F♯ Major | 9 | 2B | 115 BPM | ||
| Resound | Cold Black | B♭ Minor | 9 | 3A | 147 BPM | ||
| Ache for Agony | World War Me | C Major | 9 | 8B | 172 BPM | ||
| In The Mouth of Madness (feat. Tyler Carter) | Nightmares, Tyler Carter | B Minor | 8 | 10A | 145 BPM | ||
| Cut the Brakes | Across the Atlantic | C Major | 9 | 8B | 76 BPM | ||
| Buckle Up, Kids! | Crunkasaurus Rex | E♭ Major | 10 | 5B | 146 BPM | ||
| Beauty Is the Beast | Fear and Wonder | D♭ Major | 9 | 3B | 130 BPM | ||
| Rap Game Tom Hanks | Hopes on Hold | D♭ Major | 9 | 3B | 115 BPM | ||
| Endless | We Still Dream | A♭ Major | 9 | 4B | 100 BPM | ||
| Every Little Thing | Midfield | D♭ Major | 9 | 3B | 180 BPM | ||
| Molly Blooms | Coldfront | A♭ Major | 9 | 4B | 94 BPM | ||
| Small Time Crooks | Brigades | F♯ Major | 10 | 2B | 128 BPM | ||
| Jeremy's Song | City Lights | D♭ Major | 10 | 3B | 98 BPM | ||
| Without You Here | Life On Repeat | D Major | 6 | 10B | 111 BPM | ||
| Times Like These | Such A Mess | A Major | 9 | 11B | 186 BPM | ||
| Plus Ultra | Carousel Kings | F♯ Major | 10 | 2B | 91 BPM |