Come Here (feat. Sara Herrera)
Young Robbery, Peezy, Sara Herrera
Money Orientation
2:40 September 18, 2012
BPM
99
Key
F♯ Major
Camelot
2B

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Come Here (feat. Sara Herrera) by Young Robbery, Peezy, Sara Herrera Song Details

On September 18, 2012, the song "Come Here (feat. Sara Herrera)" was released by Young Robbery, Peezy, Sara Herrera. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Come Here (feat. Sara Herrera)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Young Robbery's "Money Orientation" album is number 16 out of 21. On top of that, United States appears to be the country where this track was created. In terms of popularity, Come Here (feat. Sara Herrera) is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

BPM and Tempo

We consider the tempo marking of Come Here (feat. Sara Herrera) by Young Robbery, Peezy, Sara Herrera to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

The music key of this track is F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-5.227 dB
Acousticness
7%
Danceability
87%
Energy
78%
Instrumentalness
0%
Liveness
30%
Loudness
91%
Speechiness
14%
Valence
92%

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ISRC
USBAE1201361
Label
L-M Records/RCA Records