Raphaël Feuillâtre's ' "8 Valses Poeticos: Preludio. Vivace molto (Arr. Raphaël Feuillâtre)" was released on its scheduled release date, July 4, 2018. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Raphaël Feuillâtre: Guitar Recital". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, 8 Valses Poeticos: Preludio. Vivace molto (Arr. Raphaël Feuillâtre) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 8 Valses Poeticos: Preludio. Vivace molto (Arr. Raphaël Feuillâtre) by Raphaël Feuillâtre having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 4 piezas cristalinas: No. 3, Verde alma | Maximo Diego Pujol, Emmanuel Rossfelder | A Major | 2 | 11B | 108 BPM | ||
| Lagrima : Lagrima | Norbert Kraft | E Major | 0 | 12B | 76 BPM | ||
| Oboe Concerto in C Major, K. 314: II. Adagio non troppo | Wolfgang Amadeus Mozart, Ivan Podyomov, Il Pomo D'oro, Maxim Emelyanychev | F Major | 1 | 7B | 116 BPM | ||
| I Love Paris (arr. for guitar by John W Duarte) | Francisco Correa | D Major | 1 | 10B | 114 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Aquarelle: I. Divertimento | Raphaël Feuillâtre | E Minor | 1 | 9A | 129 BPM | ||
| The Arts and the Hours (Arr. for Guitar by Michael Lewin) | Jean-Philippe Rameau, Miloš Karadaglić | C Major | 1 | 8B | 108 BPM | ||
| Les Barricades Mystérieuses | François Couperin, Khatia Buniatishvili | B♭ Major | 0 | 6B | 149 BPM | ||
| When I Fall in Love (Arr. Evans / Transcr. Trifonov for Piano) | Victor Young, Daniil Trifonov | D Minor | 0 | 7A | 104 BPM | ||
| 12 Studies for Harp: No. 8 | John Thomas, Paola Baron | C Major | 0 | 8B | 105 BPM | ||
| Laufey: What Love Will Do to you | Rosie Bennet | C Major | 0 | 8B | 113 BPM | ||
| 5 Stücke im Volkston, Op. 102: No. 2, Langsam (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | F Major | 0 | 7B | 95 BPM | ||
| Marais: Pièces de viole, Livre II, Suite No. 3 en ré majeur: Les voix humaines | Marin Marais, Thomas Dunford | B Major | 0 | 1B | 83 BPM | ||
| Jeux Interdits: Spanish Romance (Arr. for Guitar and Orchestra) | Anonymous, Miloš Karadaglić, English Chamber Orchestra, Paul Watkins | E Minor | 1 | 9A | 99 BPM | ||
| Cavatina | Stanley Myers, Hee-young Lim | A Major | 1 | 11B | 76 BPM | ||
| Jazz Suite: II. Lyrical Waltz | Alexander Tsfasman, Zlata Chochieva, BBC Scottish Symphony Orchestra, Karl-Heinz Steffens | E Minor | 1 | 9A | 84 BPM | ||
| Semele, HWV 58: Where'er You Walk (Arr. for Oboe & Orchestra by John Rutter) | George Frideric Handel, John Rutter, Manchester Camerata | B♭ Major | 1 | 6B | 80 BPM | ||
| Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
| Rimsky-Korsakov: Sadko: Song of the Indian Guest (Version for Cello and Harp) | Julian Lloyd Webber, Catrin Finch | G Major | 0 | 9B | 85 BPM | ||
| Lakmé: Flower Duet | William Wilson | B Major | 0 | 1B | 114 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| Etude En La Major Op. 60 No. 3 | Miko Régis, Matteo Carcassi | A Major | 5 | 11B | 135 BPM | ||
| Adagio in F Major, Hob. XVII:9 | Joseph Haydn, Xavier De Maistre | C Major | 2 | 8B | 66 BPM | ||
| Prelude in C Minor, F. 29 (Transcr. for Harp) | Wilhelm Friedemann Bach, Magdalena Hoffmann | A Minor | 1 | 8A | 112 BPM | ||
| Minueto No. 6 in E Minor | Pedro Ximénez Abril y Tirado, Christopher Avilez | E♭ Minor | 0 | 2A | 117 BPM |