"Night Life" by Jerry Goldsmith had its release date on January 1, 1992. This song is about six minutes long, preciously at 6:04, making this song fairly long compared to other songs. The song is number 7 out of 36 in Basic Instinct (Original Motion Picture Soundtrack) by Jerry Goldsmith. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Based on our statistics, Night Life's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Night Life by Jerry Goldsmith is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Surprise | Don Davis | D♭ Major | 6 | 3B | 86 BPM | ||
| Fmv Intro | Peter Connelly | A Major | 2 | 11B | 113 BPM | ||
| Quantum of Solace: A Night at the Opera | Royal Philharmonic Orchestra | A Minor | 1 | 8A | 89 BPM | ||
| Through the Night | estepha45 | A♭ Major | 2 | 4B | 98 BPM | ||
| Welcome Aboard | Star Trek - First Contact | F Major | 1 | 7B | 85 BPM | ||
| Rough Flight | John Ottman | E Minor | 4 | 9A | 85 BPM | ||
| Going Down Together | Die Another Day Soundtrack | C Major | 1 | 8B | 80 BPM | ||
| Coffey's Hands | Thomas Newman | F Major | 1 | 7B | 117 BPM | ||
| Sneaky Mystique | John Ottman | A♭ Minor | 1 | 1A | 145 BPM | ||
| The Secret Plot | Philip Glass | F Major | 1 | 7B | 120 BPM | ||
| "10 Haunted Hotels" | Gabriel Yared | G Major | 6 | 9B | 91 BPM | ||
| Unforgiven | Jerry Goldsmith | A♭ Major | 2 | 4B | 98 BPM | ||
| Hellbound Heart | Christopher Young | F Minor | 1 | 4A | 95 BPM | ||
| Hunting In Packs | Trevor Rabin | G Minor | 1 | 6A | 89 BPM | ||
| A Day In The Life | Marco Beltrami | A♭ Major | 1 | 4B | 50 BPM | ||
| Ronin Theme | Elia Cmiral | E Minor | 2 | 9A | 54 BPM | ||
| Precious Moments | Royal Philharmonic Orchestra | E♭ Major | 1 | 5B | 114 BPM | ||
| Altobello | Carmine Coppola | F Major | 1 | 7B | 109 BPM | ||
| Solomon Lane | Joe Kraemer | A Minor | 1 | 8A | 86 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| Bourne On Land - With Bassoon | John Powell | E♭ Major | 3 | 5B | 184 BPM | ||
| Sudden Turn | Jan A.P. Kaczmarek | G Minor | 3 | 6A | 82 BPM | ||
| Xizor's Theme | Joel McNeely, Royal Scottish National Orchestra, Royal Scottish National Orchestra and Chorus | A♭ Major | 2 | 4B | 177 BPM | ||
| Boulders, Bats And A Blender | Dave Grusin | F♯ Minor | 6 | 11A | 123 BPM | ||
| Samira | Víctor Reyes | E Minor | 1 | 9A | 115 BPM |