"Avalon" by Philip Klein had its release date on January 24, 2020. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Last Full Measure (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Avalon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Avalon by Philip Klein having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Race You | Federico Jusid | G Minor | 4 | 6A | 137 BPM | ||
| Unavoidable Truth | ARKIVAL, Antonio Andrade | A♭ Major | 2 | 4B | 75 BPM | ||
| A Strange Shape | Kevin Smuts | B Major | 1 | 1B | 110 BPM | ||
| Reunion and Final Rest | Trevor Morris | E Minor | 2 | 9A | 98 BPM | ||
| The Arrival | Johan Söderqvist | B Minor | 1 | 10A | 129 BPM | ||
| Gaal Leaves Synnax | Bear McCreary | G Minor | 2 | 6A | 95 BPM | ||
| D'Artagnan et Constance | Guillaume Roussel | C Major | 2 | 8B | 80 BPM | ||
| Paciencia Necesaria | Casualidades Del Destino | A Minor | 0 | 8A | 102 BPM | ||
| Back to the Badlands | Daniel Ciurlizza | G Major | 2 | 9B | 115 BPM | ||
| Let Us Be Thieves With A Purpose | Federico Jusid | A Minor | 6 | 8A | 61 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Polar System | Bleeding Fingers | D♭ Major | 3 | 3B | 124 BPM | ||
| A Fire Shall Be Woken (Trailer #3) | Dean Valentine | G Minor | 2 | 6A | 108 BPM | ||
| Guardarsi Indietro | EDO ZENITH | G Major | 4 | 9B | 123 BPM | ||
| Silentgrid | Velora | F♯ Minor | 4 | 11A | 105 BPM | ||
| Mika And Kai | Ilan Eshkeri | D Minor | 0 | 7A | 138 BPM | ||
| Neptun | Niklas Wagner | E Minor | 0 | 9A | 146 BPM | ||
| Coriolis Effect | Kyle Preston | A Minor | 5 | 8A | 128 BPM | ||
| Competidores Reales | Verdes Atardeceres | A Major | 2 | 11B | 77 BPM | ||
| Aspire to Inspire | Howard Harper-Barnes | G Minor | 2 | 6A | 116 BPM | ||
| Lady in the Water: Prologue | James Newton Howard, Jean-Yves Thibaudet | E Minor | 0 | 9A | 64 BPM | ||
| Made for Nature | Benjamin Wallfisch, Chris Egan | G Minor | 4 | 6A | 137 BPM | ||
| Voices of the Wind | J.T. Peterson | C Major | 3 | 8B | 150 BPM | ||
| City Walk | Philip Klein | G Major | 3 | 9B | 139 BPM | ||
| Arrival at the Winter Court | Elysian Echoes | G Minor | 4 | 6A | 137 BPM |