America's 'Coastline' had a release date set for January 1, 1980. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 11 in Alibi by America. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Coastline is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Coastline by America is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Just Can't Say No To You | Michael Johnson | B Minor | 2 | 10A | 81 BPM | ||
| 1960 | America | A Major | 2 | 11B | 97 BPM | ||
| Terminal | Rupert Holmes | D♭ Minor | 5 | 12A | 111 BPM | ||
| Turning to You | Charlie | F♯ Minor | 7 | 11A | 143 BPM | ||
| Ending of a Song | Orleans | A Major | 3 | 11B | 67 BPM | ||
| Once More Never Again | Frank Stallone | G Major | 3 | 9B | 141 BPM | ||
| What Do We Got Here? | Dave Mason | C Major | 7 | 8B | 83 BPM | ||
| Permissible To Cry | Burton Cummings | B♭ Major | 8 | 6B | 77 BPM | ||
| Radio Dream | Roger Voudouris | G Major | 6 | 9B | 201 BPM | ||
| Sweet Feelin' | The Doobie Brothers | D Major | 4 | 10B | 110 BPM | ||
| The Very First Time | Michael Johnson | A Minor | 2 | 8A | 71 BPM | ||
| Takin' It Back | TOTO | D Minor | 5 | 7A | 134 BPM | ||
| Looking for My Love | Andrew Gold | B♭ Minor | 0 | 3A | 101 BPM | ||
| Bell Tree | America | E Minor | 2 | 9A | 77 BPM | ||
| FILL OUR HEARTS IN HOLY LIGHT | NEIL SEVEN MOORE | G Major | 4 | 9B | 139 BPM | ||
| Dance with the Stranger | Dane Donohue | E Major | 7 | 12B | 115 BPM | ||
| Somebody's Gettin to You | Paul Davis | C Major | 7 | 8B | 109 BPM | ||
| People of the South Wind | Kansas | A Minor | 9 | 8A | 137 BPM | ||
| Just in Time | The Doobie Brothers | E Minor | 6 | 9A | 152 BPM | ||
| I Really Want You Here Tonight | Randy Meisner | E Major | 3 | 12B | 140 BPM | ||
| Love Me Like the Last Time | Joey Scarbury | C Minor | 5 | 5A | 105 BPM | ||
| Moolah Moo Mazuma (Sin City Wahh-0o) | Sanford Townsend Band | B♭ Major | 5 | 6B | 115 BPM | ||
| Worlds Away | Pablo Cruise | A Major | 6 | 11B | 134 BPM | ||
| Always for You | Andrew Gold | G Minor | 2 | 6A | 121 BPM | ||
| Melody | Andy Gibb | C Major | 4 | 8B | 136 BPM |