Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta's 'Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic' had a release date set for November 24, 2023. This song is about six minutes long, preciously at 6:00, making this song fairly long compared to other songs. The song is number 4 out of 18 in Copland, Creston & Others: Orchestral Works by Anna Mattix, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saxophone Concerto, Op. 26 (Version for Saxophone & Orchestra): I. Energetic by Paul Creston, Timothy McAllister, National Orchestral Institute Philharmonic, Joann Falletta is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | D Major | 2 | 10B | 170 BPM | ||
| Sonata for Trumpet and Piano: 2. Allegretto | Eric Ewazen, Joseph Foley, Bonnie Anderson | F♯ Major | 0 | 2B | 69 BPM | ||
| Wine-Dark Sea: II. Immortal Thread, So Weak | John Mackey, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 0 | 8B | 135 BPM | ||
| Lincolnshire Posy: I. Lisbon | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Pequena Czarda | Pedro Iturralde, Koryun Asatryan, Eun Bae Jang | F Minor | 1 | 4A | 170 BPM | ||
| Pantomime - Philip Sparke | Philip Sparke, Steven Mead | A♭ Major | 1 | 4B | 80 BPM | ||
| Memories of You | Gene Pokorny, David "Red" Lehr, Jazz Incredibles | B♭ Major | 0 | 6B | 84 BPM | ||
| Symphony No. 7: II. Slow | David Maslanka, North Texas Wind Symphony, Eugene Migliaro Corporon | D Minor | 0 | 7A | 57 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: IV. Molto allegro | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | G Major | 0 | 9B | 68 BPM | ||
| Suite from "The Victorian Kitchen Garden": III. Mists. Lento melancolico | Paul Reade, Michael Collins, Michael McHale | G Minor | 0 | 6A | 70 BPM | ||
| First Suite In E-Flat For Military Band: Chaconne | United States Air Force Band | E♭ Major | 0 | 5B | 113 BPM | ||
| Little Suite for Brass Band No. 1, Op. 80 (Arr. J.P. Paynter): II. Siciliano | Malcolm Arnold, Dallas Wind Symphony, Jerry Junkin | C Minor | 3 | 5A | 100 BPM | ||
| Second Suite in F Major, Op. 28 No. 2, H. 106: IV. Fantasia on the Dargason | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 0 | 5A | 67 BPM | ||
| Mvt. 1. Song: Fire in the Earth, Maslanka Concerto for Alto Saxophone and Wind Ensemble | David Maslanka, Otis Murphy, Ray Cramer | F Major | 1 | 7B | 121 BPM | ||
| ドラゴンの年 I. トッカータ | Philip Sparke, Osaka Shion Wind Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
| BLIND SPOT by Gilles Rocha | Mauro Martins | D♭ Major | 2 | 3B | 65 BPM | ||
| Paris Sketches: No. 2, Pigalle | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 3 | 10B | 146 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Children's March "Over the Hills and Far Away" | Percy Grainger, The Arts District Chorale, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| The Red Machine | Peter Graham, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 1 | 10B | 117 BPM | ||
| Le tombeau de Couperin, M. 68: IV. Rigaudon (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | A Minor | 1 | 8A | 78 BPM | ||
| Irish Tune from County Derry | Percy Grainger, Dallas Wind Symphony, Jerry Junkin | E♭ Major | 2 | 5B | 101 BPM | ||
| Recitation Book: V. Fanfare on the Chorale Melody "Durch Adams Fall" | David Maslanka, Masato Kumoi Sax Quartet | A♭ Major | 3 | 4B | 88 BPM | ||
| Le tombeau de Couperin, M. 68: I. Prélude (Arr. for Wind Ensemble by Mason Jones) | Maurice Ravel, Ensemble Ouranos | A Minor | 1 | 8A | 78 BPM |