Nishantala Surya Prakash Rao & Gopika Poornima's ' "Sarabha Varnanam" was released on its scheduled release date, May 1, 2004. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Sarabha Varnanam's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 7 in the song's album "Sarabhesvara & Pratyangira Stothras". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Sarabha Varnanam's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Sarabha Varnanam by Nishantala Surya Prakash Rao & Gopika Poornima having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Shanmuga Dhyanam | Manikka Vinayagam, R. Vijayalakshmi, R. Chitra | A Major | 3 | 11B | 175 BPM | ||
| Hare Krishna 3 - Original | Debjit, Bitu Samajpati, NA | B Minor | 8 | 10A | 136 BPM | ||
| Saraswathy Gayatri | Bombay Saradha | A♭ Major | 6 | 4B | 150 BPM | ||
| Sivaya Siva Shankara | Muralidhar | B Minor | 8 | 10A | 109 BPM | ||
| Shree Krishna Sharanam Mamah - Krishna Morning Mantra | Nidhi Dholakia | B♭ Major | 3 | 6B | 85 BPM | ||
| Suryanarayana Suprabhatam | Sridevi | F Minor | 8 | 4A | 175 BPM | ||
| Narayana Suktham | Sri Hari Atchutha Rama Sastry | F Major | 2 | 7B | 125 BPM | ||
| Vighna Harana | Sachin Limaye | D♭ Major | 4 | 3B | 141 BPM | ||
| Vishwambhari Stuti | Lalitya Munshaw | D Major | 4 | 10B | 104 BPM | ||
| Shuklam Baradharam Vishnum Shashi Varnam | Yamini Sisters, Purushottama Sai | B♭ Major | 4 | 6B | 97 BPM | ||
| Bhairava Gayatri | Bombay Saradha | A♭ Major | 6 | 4B | 150 BPM | ||
| Bhagavad Gita Adhyay, Pt. 16 | Shrirang Bhave | G Minor | 1 | 6A | 104 BPM | ||
| Mahalaxmi Ashtakam | Ketan Patwardhan | D Major | 1 | 10B | 105 BPM | ||
| Sri Durga Sooktam | Vishwanath H. V., Vanishree, Vijaya Lakshmi | G Major | 4 | 9B | 87 BPM | ||
| Ashtotharanamavali | Nishantala Surya Prakash Rao & Gopika Poornima | B♭ Major | 2 | 6B | 141 BPM | ||
| Om Gurunatha Sharanam | Puttur Narasimha Nayak | F♯ Major | 6 | 2B | 90 BPM | ||
| Shri Renuka Ashtak | Aarya Morajkar | A♭ Major | 6 | 4B | 82 BPM | ||
| Keshav Madhav Hari Hari Bol | Hari Om Sharan | E♭ Minor | 6 | 2A | 82 BPM | ||
| Soolini Kavacham | Nishantala Surya Prakash Rao & Gopika Poornima | C Major | 4 | 8B | 87 BPM | ||
| Durge Devi Stotram | Bhanumathi Narasimhan | D♭ Major | 1 | 3B | 92 BPM | ||
| Shree Siddha Mangal Stotra | Kamalakar Tapasvi | D♭ Major | 6 | 3B | 80 BPM | ||
| Anusuya Atri Sukumara - Datta Stuti | Jitendra Abhyankar, Datta Thite | B♭ Major | 7 | 6B | 92 BPM | ||
| Shirdi Sai Dandakam | Nishantala Surya Prakash Rao & Gopika Poornima | D♭ Major | 2 | 3B | 77 BPM | ||
| Ganesha Sharanam Sharanam Ganesha | Guru Swamy | F♯ Major | 3 | 2B | 130 BPM | ||
| Vinayaga Gayatri | Bombay Saradha | A♭ Major | 6 | 4B | 150 BPM |