Rees Shad's 'Lost in Translation' had a release date set for September 19, 2022. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Lost in Translation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Tattletale". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Turks and Caicos Islands. In terms of popularity, Lost in Translation is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
With Lost in Translation by Rees Shad having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Twilight Serenade | Jason Myles Goss | G Major | 3 | 9B | 84 BPM | ||
| Down Here (feat. Rees Shad) | Fester Spunk, Rees Shad | A Major | 6 | 11B | 172 BPM | ||
| Follow You Anywhere | Monica Heldal | E Major | 4 | 12B | 89 BPM | ||
| Come Undone | Adam Barnes | E♭ Major | 3 | 5B | 130 BPM | ||
| Desdemona | The Alternate Routes, Patty Griffin | G Major | 3 | 9B | 138 BPM | ||
| Dirty Rain - Acoustic | Ryan Adams | E Major | 1 | 12B | 130 BPM | ||
| Coming 'Round to Get You | Farewell Milwaukee | F Major | 3 | 7B | 95 BPM | ||
| Two People | Robby Hecht, Caroline Spence | E Major | 4 | 12B | 96 BPM | ||
| Fieldstone Walls | Rees Shad | G Major | 4 | 9B | 114 BPM | ||
| Beautiful Goodbye | Josh Kelley | D Major | 4 | 10B | 90 BPM | ||
| Only Want You | Brett Dennen | A Major | 4 | 11B | 140 BPM | ||
| Banner - Acoustic | Lights | D Major | 3 | 10B | 145 BPM | ||
| Carry | Ryan Montbleau | D Major | 2 | 10B | 106 BPM | ||
| Are We Really Through (with The Pariah Dogs) | Ray LaMontagne, The Pariah Dogs | B Major | 1 | 1B | 129 BPM | ||
| Pacing The Cage | Bruce Cockburn | E Major | 2 | 12B | 150 BPM | ||
| Travelin' Song | Jackie Greene | D♭ Minor | 3 | 12A | 100 BPM | ||
| Half a World Away | Butch Roxas, Rees Shad | D Major | 6 | 10B | 188 BPM | ||
| Human After All | Michael Logen, Ruby Amanfu | D Major | 2 | 10B | 76 BPM | ||
| Poison Vine | Noah Gundersen | F♯ Major | 2 | 2B | 122 BPM | ||
| Nothing Fancy | Dave Barnes | F Major | 0 | 7B | 125 BPM | ||
| The Mrs. & Me (Solo Acoustic) | Rees Shad | D Major | 1 | 10B | 80 BPM | ||
| High Hope | Glen Hansard | C Major | 3 | 8B | 88 BPM | ||
| I Don't Venture Out | Rees Shad | E Minor | 8 | 9A | 128 BPM | ||
| Moss On A Rolling Stone | Noah Gundersen, Abby Gundersen, Michael Porter | E Major | 2 | 12B | 128 BPM | ||
| Song For The Rich | Tristan Prettyman | A Major | 3 | 11B | 97 BPM |