David Alexander's 'Everything Loves Suppossed To Be' had a release date set for April 2, 2022. The duration of This song is about 3 minutes long, at 3:10. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 18 in Best Of Volume Two by David Alexander. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Everything Loves Suppossed To Be is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Everything Loves Suppossed To Be by David Alexander is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You're My Everything - 1999 Remaster | Max Bygraves | C Minor | 3 | 5A | 91 BPM | ||
| Waltzing an Angel | Muriel O Connor | G Major | 5 | 9B | 82 BPM | ||
| You Always Hurt the One You Love | Des O'Connor | F♯ Major | 4 | 2B | 115 BPM | ||
| Mary in the Morning | Joe Longthorne | D Major | 6 | 10B | 130 BPM | ||
| Am I That Easy To Forget | David Alexander | E Major | 6 | 12B | 179 BPM | ||
| Angry at the Big Oak Tree | Frank Ifield | D Major | 6 | 10B | 100 BPM | ||
| You Seldom Come to See Me Anymore | Johnny McEvoy | G Major | 5 | 9B | 108 BPM | ||
| I Pretend | Des O'Connor | F Major | 4 | 7B | 169 BPM | ||
| Love Is All | Joe Longthorne | E♭ Major | 3 | 5B | 151 BPM | ||
| After All Is Said And Done | Robert Goulet | G Minor | 4 | 6A | 100 BPM | ||
| If I Ever Had To Say Goodbye | John Rowles | E Major | 5 | 12B | 77 BPM | ||
| No Charge | J J Barrie | G Major | 5 | 9B | 103 BPM | ||
| The Wedding Song | Frank McCaffrey | A Major | 4 | 11B | 98 BPM | ||
| So Deep Is the Night | Brendan Bowyer | E Major | 2 | 12B | 174 BPM | ||
| A Prayer (Christmas In The Fifties) [feat. The Jordanaires] | Gerard Joling, The Jordanaires | B♭ Major | 4 | 6B | 80 BPM | ||
| Moment In Time | Rita MacNeil | A Major | 4 | 11B | 168 BPM | ||
| If I Never Sing Another Song | David Alexander | D Major | 4 | 10B | 77 BPM | ||
| The Wonder of You | Dickie Rock | G Major | 3 | 9B | 85 BPM | ||
| A Mother's Love's A Blessing | Brendan Quinn | B Major | 4 | 1B | 79 BPM | ||
| When You Tell Me That You Love Me | Vince Hill | A♭ Major | 6 | 4B | 76 BPM | ||
| seventy's medley | Shaun Loughrey | F♯ Major | 7 | 2B | 190 BPM | ||
| Isle of Inisfree | Sean Dunphy | B♭ Major | 1 | 6B | 100 BPM | ||
| You're My World (with The Royal Liverpool Philharmonic Orchestra & Cliff Richard) | Cilla Black, Cliff Richard, Royal Liverpool Philharmonic Orchestra | A♭ Minor | 5 | 1A | 189 BPM | ||
| The Blackboard of My Heart | Frank McCaffrey | G Major | 7 | 9B | 179 BPM | ||
| To All the Girls I've Loved Before | Joe Longthorne | D Major | 3 | 10B | 85 BPM |