Andrew Rindfleisch, Zeitgeist's 'Fanatical Dances' had a release date set for October 26, 2010. This song appears to be safe for all ages as it is not explicit. There are a total of 16 in the song's album "Rindfleisch: Night Singing". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. Fanatical Dances is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fanatical Dances by Andrew Rindfleisch, Zeitgeist having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Known End | Kris Davis | C Minor | 1 | 5A | 131 BPM | ||
| Sacred Place: V. Kaddish | Alex Berko, Conspirare, David Kurtenbach Rivera, Lauren McAllister, Simon Barrad, Meg Dudley, Carla McElhaney, Sandy Yamamoto, Daniel Kopp, Craig Hella Johnson | D Minor | 1 | 7A | 112 BPM | ||
| Cello Sonata in C Major, Op. 65: III. Elegia. Lento | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | C Major | 0 | 8B | 76 BPM | ||
| Variations for Orchestra, Op. 31: Variation V. Bewegt | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 3 | 4B | 84 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Psalom | Arvo Pärt, NYYD Quartet, Paul Hillier | A Minor | 0 | 8A | 130 BPM | ||
| 最期のキリエ/もう一つのキリエ | 子羊の群れキリスト教会 | B♭ Major | 0 | 6B | 83 BPM | ||
| Nyems | Meredith Monk, Ellen Fisher, Katie Geissinger, Allison Sniffin, Joanna Lynn-Jacobs | B♭ Minor | 1 | 3A | 73 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| Mirror - En Vivo | Jimmy Herrera | F Major | 1 | 7B | 107 BPM | ||
| Press One | Jack Sheen, Apartment House | C Minor | 1 | 5A | 131 BPM | ||
| Folding | Iva Bittová, Marilyn Crispell, Benedicte Maurseth, David Rothenberg | D Major | 1 | 10B | 112 BPM | ||
| Cell Trio II | Meredith Monk, Katie Geissinger, Allison Sniffin | B♭ Minor | 1 | 3A | 73 BPM | ||
| Shadow | Anja Lechner, François Couturier | D♭ Major | 0 | 3B | 88 BPM | ||
| Improvisation Situation | Andrew Rindfleisch, Shannon Wettstein, Patrick O'Keefe, Patti Cudd, Anatoly Larkin, Zeitgeist | F Major | 1 | 7B | 66 BPM | ||
| 9 Little Improvisations: No. 6, Salt Lick | Patrick O'Keefe, Andrew Rindfleisch | D Minor | 0 | 7A | 70 BPM | ||
| poor hymnal: No. 8, prayer for kindness | David Lang, The Crossing, Donald Nally | A Major | 0 | 11B | 117 BPM | ||
| Klavierstück IV | Karlheinz Stockhausen, Miharu Ogura | F Minor | 0 | 4A | 83 BPM | ||
| Specific Gravity: No. 4, After Fever | Steven Roens, Cheryl Hart, Utah Arts Festival Orchestra, Andrew Rindfleisch | D Major | 1 | 10B | 74 BPM | ||
| Plan & Elevation: III. The Herbaceous Border | Caroline Shaw, Attacca Quartet | E Minor | 2 | 9A | 112 BPM | ||
| Pulsars, Pt. 2: Episode 5 | Tomasz Trzcinski | E Major | 1 | 12B | 107 BPM | ||
| 9 Little Improvisations: No. 8, Evening Prayer | Patrick O'Keefe, Andrew Rindfleisch | D Minor | 0 | 7A | 70 BPM | ||
| String Quartet No. 14 in F-Sharp Major, Op. 142: I. Allegretto | Dmitri Shostakovich, Cuarteto Casals | D♭ Major | 1 | 3B | 121 BPM | ||
| Symphony No. 1 "Polyphonic": II. Prelude and Fugue | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |